But, with some gripping sequences along the way and the double-whammy byline, this grandiose, meandering saga—echoing Oz,...
The quasi-cosmic, picaresque journey of twelve-year-old Jack Sawyer—across America on foot, "flipping" in and out of a parallel universe called the "Territories"—in quest of a magical talisman that will save his widowed mother (a former B-movie star) from dying of cancer.
Jack's trek begins on the Atlantic coast, where an old black man at a seedy "Funworld" tells him about the Territories, The Talisman, and the "Twinners" (parallel-universe doppelgangers); and these first chapters recall the murky hoo-hah of Straub's opaque Shadowland—as Jack learns that his nemesis is his dead father's evil business partner Morgan Sloat, known in the Territories as "Morgan of Orris." Still, Jack plunges ahead—walking west but flipping into the Territories whenever Morgan's pursuit becomes lethal. . . and vice versa. In the real world his ordeals include: slave-labor at an upstate N.Y. tavern; harassment from pederasts; dreadful days in a neo-Diekensian "Home" for delinquent boys. In the semi-medieval Territories, he faces tree-monsters and assorted "thing" attackers—but also acquires a devoted, brave sidekick: a werewolf named Wolf, who travels with Jack into the real world. (This 150-page section, midway through, is prime alien-fiction à la King—funny, touching, complete with a Carrie-like outburst of retaliation from poor, sweet Wolf.) And eventually, after Wolf's noble demise, lack reaches the midwestern prep school of chum Richard Sloat (son of Morgan)—who'll reluctantly accompany him the rest of the paranoid-peril way: across the radioactive Blasted Lands on a magical train, then flipping into real-world California. . . where The Talisman awaits ("COME TO ME! COME NOW!") in a black hotel. Fans of King's horror, then, will probably be irritated by the pretentious, verbose, psycho-gothic/philosophical fantasy here—which involves coming-of-age, the Twinner gestalt, the sinful secrets of Jack's dead dad, and heavy good-vs.-evil breathing. (See King's The Stand as well as lesser Straub.) At the other extreme is a lot of King-style sentimentality and jokey vulgarity—with Jack's mind implausibly embracing four decades of pop-culture allusions.
But, with some gripping sequences along the way and the double-whammy byline, this grandiose, meandering saga—echoing Oz, Alice, and Huck Finn—is sure to reach a massive audience. . . and satisfy about half of it.Pub Date: Nov. 1, 1984
ISBN: 0345444884
Page Count: 774
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Oct. 15, 1984
BOOK TO SCREEN
IN THE NEWS
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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