Begun by King while at college in 1970; serialized episodically in The Magazine of Fantasy and Science Fiction, 1978-1981; printed in limited-editon hardcover, 1982: this King novelty at last achieves mass publication. King fans will find little to celebrate, however, in the derivative portentousness of this first volume in a threatened 3000-page epic western set in a blighted future world. Warmed-over sauce from Sergio Leone's classic spaghetti-western films is splashed all over this doughy tale. There's the gunslinger of the title, tall, strong and silent, and his evil nemesis, "the man in black"; there's the gunslinger's quest to track down and slay that villain; and there are the dust-swept towns he rides through, the lost boy he adopts as a sidekick, and the saloon-keeping wench he beds. The spice in this tired sauce, however, is pure King—fantastic and grandiose. For, as King reveals bit by bit, often in flashbacks, the man in black is a sorceror, able even to raise the dead, and the gunslinger the last of an aristocratic caste, keepers of "the High Speech" and of the few guns left in this nearly machineless, presumably post-nuclear-holocaust world. Moreover, bizarre turns sprout here like weeds—spellbound by the man in black, an entire town turns on the gunslinger, believing him the Antichrist and forcing him to massacre all souls; farther down the road, a band of "Slow Mutants" (irradiated humans?) attacks—and, as is King's wont, the central character is so obsessed as to brook no opposition, eventually sacrificing the little's boy's life to stay on the heels of his quarry. What's all this futuristic neo-Wagnerian posturing about? Something to do with a debt of honor, of course, vengeance for the death of the gunslinger's father and the dishonoring of his mother; and something to do with Tarot-wrapped pseudo-mystical prattle wherein beyond the gunslinger's yearning for the man in black lies his lust for "the Dark Tower"—where, as King concludes, the gunslinger "would some day come at dusk and approach, winding his horn, to do some unimaginable final battle." Heavy, real heavy—as sales undoubtedly will be too.
Pub Date: Sept. 28, 1988
ISBN: 0452284694
Page Count: 290
Publisher: New American Library
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Aug. 15, 1988
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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