Assembly-line workers are being replaced by machines—but Santa? That’s just what Muckle the elf has in mind. Annoyed at Santa’s last-minute changes and the inefficiency of the whole setup, he decides there must be a better way. Behind the text boxes, readers can see the incredibly detailed blueprints for Muckle’s wondrous new machine, the Deliverator. In lighting speed it matches children’s letters with a gift. It can travel around the world in one night, and zip up and down chimneys to make deliveries. But Clara, the mail carrier, has her doubts that the Deliverator can do everything that Santa does. After all, who will eat the milk and cookies, and who really knows the children as well as Santa? Predictably, a glitch causes the Deliverator to fail—and during the most hectic year of all. But the uncomplaining elves have learned that Christmas is not about a schedule, rather about caring, something that can’t be programmed into a computer. And Santa makes a couple of changes of his own: the elves now track orders from a bank of computers in the workroom. However, his other major change—marriage to Mrs. Claus at the finale—seems not to fit in with the flow of the story. Krensky (Shooting for the Moon, p. 802, etc.) has crafted a tale with an obvious lesson, but somehow this does not detract. Rather, it highlights the importance of personal attention and the “little things” in the celebration of Christmas. This is a wonderful complement to Krensky’s first Santa book, How Santa Got His Job (1998), which documents the job experiences and skills that make him perfect for the position. Schindler’s (The Cod’s Tale, p. 1294, etc.) drawings are masterworks of detail, from the reindeer snitching cookies in Santa’s kitchen, to the steam coming from Muckle’s head as he has to reprogram the Deliverator. Keep on truckin’, Santa. (Picture book. 4-7)
Pub Date: Oct. 1, 2001
ISBN: 0-689-83173-0
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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