Based on interviews with scores of mob bosses, gang members, their wives, girlfriends, family members and lawyers, as well...
A reporter investigates a notorious art heist.
In 1990, two thieves made their way into Boston’s Isabella Stewart Gardner Museum and fled with 13 artworks, worth $500 million. Despite the FBI’s ongoing investigation, the thieves were never caught, and the art remains missing. Pulitzer Prize–winning Boston Globe investigative reporter Kurkjian worked on the story when it first broke, and in his fast-paced, though sometimes repetitious, debut book, he recounts the heist, the official investigation and his own probing into the case. Security was lax at the museum, making it possible for two men, dressed in police uniforms, to gain entry, secure the guards with duct tape and invade the galleries. Shattering protective glass, they cut paintings from their frames and left without detection. The FBI took control immediately, refusing to involve the Massachusetts State Police or the Boston police, which the author sees as a crucial mistake. Mob involvement was suspected from the start, and local authorities, as one Boston policeman put it, “knew every wise guy in the city and had some reliable informants.” As the case grew colder, the handful of FBI men assigned to it was reduced; three months after the heist, only one agent supervised. The author reveals the “Hollywood-style deal-making” used by the FBI to try to get mobsters to talk, but their efforts repeatedly failed. In 2013, after the Boston Marathon bombing, the head of the FBI’s Boston office tried to get the public’s help in identifying artwork they may have seen or tips on the perpetrators, but nothing emerged.
Based on interviews with scores of mob bosses, gang members, their wives, girlfriends, family members and lawyers, as well as with policemen and other reporters, Kurkjian believes he knows who did it. He has shared his findings with the FBI, and they come as the climax to this engrossing real-life crime story.Pub Date: March 10, 2015
ISBN: 978-1-61039-423-9
Page Count: 272
Publisher: PublicAffairs
Review Posted Online: Jan. 3, 2015
Kirkus Reviews Issue: Jan. 15, 2015
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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