by Stephen L. Carter ‧ RELEASE DATE: July 14, 2009
Let’s hope the real Stephen L. Carter reappears soon, displacing this unsatisfying Robert Ludlum clone.
An ailing political heavyweight’s secret history is gradually disclosed in this busy thriller from the industrious Yale Law School prof/sociopolitical theorist/bestselling novelist (Palace Council, 2008, etc.).
Rapidly aging Jericho Ainsley, retired from successive tenures as Secretary of Defense, National Security Advisor and CIA Director, is stricken with cancer and believed to be about to reveal numerous incriminating secrets. That’s what’s understood, anyway, by private-sector single mom Rebecca DeForde, once Jericho’s subordinate and lover, when she’s summoned to Ainsley’s fortified retreat in the small town of Bethel in the Colorado Rockies. Instead, Beck finds the “dying” old man still possessed of contrary life and bile—and still harboring secrets. She seeks further explanations from and butts heads with Jericho’s intemperate daughter Pamela; his sister Audrey, a peacemaking nun; his ally Brian Navarro, who shares the former spymaster’s commitment to Nixonian power politics; his would-be biographer Lewiston Clark; and the sometimes helpful, sometimes intimidating Bethel police department. Nobody turns out to be precisely who she or he appears to be. Jericho’s imperiled state seems connected to the scandalous collapse of a huge international financial firm, but that doesn’t fully explain the discovered body of a murdered dog, a prowler seriously injured in a fall from the roof or an approaching assassin known as “Max,” whose concealed identity holds the novel’s niftiest surprise. It may sound like fun, but this by-the-numbers caper is too frequently turgid and redundant; Beck’s catfights with Pamela and her worried phone calls home to check on daughter Nina, for example, are both monotonous and momentum-destroying. Things get awfully generic in the crowded climactic pages, and an ending intended to be ironic simply falls flat.
Let’s hope the real Stephen L. Carter reappears soon, displacing this unsatisfying Robert Ludlum clone.Pub Date: July 14, 2009
ISBN: 978-0-307-27262-1
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2009
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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