Those who’ve seen the Catskills will love how the authors capture its magic. Those who haven’t will start planning a trip.
A history that demonstrates “the color, charm, and even lunacy that for the past four hundred years have characterized the Catskill Mountains and the people attracted to them.”
Silverman (David Lean, 1992, etc.) and the late Silver (Congregation, 2014) stress the enormous influence of Washington Irving’s Rip Van Winkle and Sleepy Hollow, which invented a place of imagination for artists, painters, and essayists. Among those were America’s first novelist, James Fenimore Cooper, whose Leatherstocking Tales enlightened Europeans and Americans of the beauty of the Catskills region; and Thomas Cole, the leader of the Hudson River School, who claimed that in America, all nature is new to art. In 1807, Robert Fulton’s steamship, the Clermont, sailed from New York to Albany, further opening the area to travel. At first, industry such as tanning and bluestone mining took hold, followed by the arrival of migrants looking for a homestead. Unfortunately for the immigrants, the feudal practice of leasehold under the post-revolutionary landlords was too much. In the 1830s, the “rent wars” began, causing widespread evictions and forced sale of belongings. In addition to a host of other colorful characters, the authors point out two boyhood friends who traveled widely different paths: railroad tycoon Jay Gould and naturalist John Burroughs. One sought to protect the area, while the other exploited it. The railroads brought increasing numbers of visitors, and wealthy New Yorkers established large, restricted resorts, tuberculosis sanatoriums, and boardinghouses like that of the Grossingers. All of these expanded with the arrival of the automobile. Eventually, as the authors engagingly chronicle, the New York syndicate made up of Sicilian and Jewish gangsters discovered the fine hiding places of the area. As the days of the big resorts ebbed, the Arts and Crafts movement grew up around Woodstock, morphing into the hippie movement and the rise of folk music.
Those who’ve seen the Catskills will love how the authors capture its magic. Those who haven’t will start planning a trip.Pub Date: Oct. 29, 2015
ISBN: 978-0-307-27215-7
Page Count: 464
Publisher: Knopf
Review Posted Online: June 14, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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