An absolutely drop-dead gorgeous edition of the beloved Andersen tale. Mitchell hews very closely to the language and cadences of the original: What this means is a measured and rich text, excellent for reading aloud if not for very young children. Johnson and Fancher make mixed-media and collage images of powerful beauty. Every page is spectacular—even the narrative pages have spot illustrations (large in this format) and background textures in green (which the text tells us is “good for the eyes”). A rather distracted mother duck notes that one egg looks different from the others, and hatches later. That “duckling” is so ugly that his siblings and all the other farm animals persecute it violently, until it runs away to spend the winter first in a tumbledown cottage and then on its own. When spring finally arrives, he recognizes himself in the magnificent white swans like the one he has become. The artists do wonderful things with texture: Feathers, water and grasses are made of collage bits that range from lace to marbled paper to paint to cloth. The pictures have great depth, not only in terms of perspective but in how they draw the eye and heart to pore over every detail. Simply exquisite. (Picture book/fairy tale. 5-9)
Pub Date: Jan. 1, 2008
ISBN: 978-0-7636-2159-9
Page Count: 40
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2007
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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