This drama of nuclear dawn fails to launch.
A story of wartime romance amid the moral quandaries of the Manhattan Project.
Kiernan is known for tackling big topics—the depredations of war (The Baker’s Secret, 2017, etc.) and scientific overreach (The Curiosity, 2013)—and this novel attempts to follow suit. When Brenda Dubie, a talented, conservatory-bound organist, meets Charlie Fish, she’s not impressed by the gangling math whiz despite his Harvard degree. Their accounts of what ensues alternate: hers in first person, at times looking back from the vantage point of an old woman, and his, in third person. Charlie is working on top-secret wartime projects at the University of Chicago, but his superiors are also not impressed by him—he's banished to a basement, where he, and we, learns far more than we’d ever hoped to about the niceties of soldering electrical circuits. Egged on by a mother who regrets her own shrewish behavior now that her husband and son are off to war, Brenda cautiously embarks on a courtship with Charlie. But as Brenda strives to suppress her spunkiness in order to support a vision of masculinity that doesn't even appear to be Charlie’s priority, Charlie is sent to New Mexico. Turns out all that soldering instilled just the detonation know-how required for the nascent A-bomb, aka The Gadget. Charlie, kind and humane, hates the idea of being, in effect, the Trigger (his nickname) for civilization’s potential destruction. His internal conflict is far more interesting than the romance. Brenda’s retrospective musings reveal a long marriage to Charlie. Kiernan overcompensates for that loss of suspense, interposing obstacles in the path of true love—a half-hearted detour with a handsome airman on Brenda’s part—but they’re mostly snits and misunderstandings that aren’t believably characteristic of either protagonist. Kiernan’s view of American women’s roles in World War II seems outdated even for that time. Contemporaneous accounts of the homefront belie his apparent supposition that all women did was pine for manly, battle-hardened men.
This drama of nuclear dawn fails to launch.Pub Date: May 5, 2020
ISBN: 978-0-06-287844-1
Page Count: 464
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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