A very real ship inspires a very slight story, coasting on some serious sweetness.
A humanitarian hospital ship figures in a tale of ailing boats and gentle aid.
When the ships are sick, nobody’s happy. Not Barge, who “got bonked,” or Submarine, who has the shakes. Neither are feverish Ferry, coughing Aircraft Carrier, and sniffly, drippy Dory. Who takes care of these ill boats? Why, hospital ship Hope, of course! In a jiffy she treats, comforts, and cares for anyone under the weather. By the time everyone is “shipshape” again, they can rest assured that in the event of another emergency, they’ll always be able to rely on Hope. Backmatter includes a note on the real SS Hope, America’s first peacetime hospital ship, which spent 14 years traveling the world bringing care and training to other countries. Children fearing hospital visits, doctors, or nurses may find comfort in the book’s measured tone. This is reflected not merely in the spare text with its gentle wordplay, but also in the simplicity and style of the digital art. Shapes are cleanly delineated, colors and planes flat. The composition in which Barge suffers her injury is so stylized as to resemble an exercise in the play between positive and negative space. Both text and visuals are so restrained that while the ship-obsessed will love it, it is unlikely that the book will stand up to much rereading among other audiences.
A very real ship inspires a very slight story, coasting on some serious sweetness. (Picture book. 3-6)Pub Date: May 4, 2021
ISBN: 978-0-8234-4518-9
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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