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DEAD IN THE FRAME

A lively period frolic whose hardboiled femmes tackle a Golden Age puzzle.

All the detective work that would normally fall to Lillian Pentecost has to be done by her sidekick, Willowjean Parker, for the worst of all possible reasons.

Returning in October 1947 from three weeks in the Catskills with her lover, pulp fiction writer Holly Quick, Will learns that Lillian’s been arrested for the murder of Jessup Quincannon, a philanthropist/collector known as “a connoisseur of crime and murder,” whose latest Black Museum Club soiree was muted by the discovery of his corpse moments after Lillian arrived, then fled the scene. If the cops needed any further encouragement to pull her in, it would’ve been supplied by the news that her gun fired the bullet that killed her host. While Lillian, who has multiple sclerosis, gets repeatedly pranked by some unknown party at the Women’s House of Detention, Will goes on offense, doing whatever she can to sow doubt by implicating the other guests that night, who include, among others, “the embezzling lawyer; the money-hungry preacher’s wife; the spurned lover; and the gunman on the run.” Her hopes rise when she’s visited by someone who admits he planted the evidence that incriminates Lillian and will straighten it all out if she’ll only solve the murder of his wife, which the police maintain was suicide. But they’re dashed again when the blackmailing client is killed himself before either he or Will can deliver. As usual, Spotswood is more interested in piling on the complications than in resolving them, and the denouement is just one darned thing after another. But (spoiler alert) the jury takes only 11 minutes to acquit Lillian; they don’t even hem and haw long enough for the free lunch.

A lively period frolic whose hardboiled femmes tackle a Golden Age puzzle.

Pub Date: Feb. 4, 2025

ISBN: 9780385550468

Page Count: 384

Publisher: Doubleday

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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NONE OF THIS IS TRUE

It's hard to read but hard to look away from.

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When two women who share a birthday meet, a journalist becomes the subject of her own true-crime mystery.

On their 45th birthdays, Josie Fair and Alix Summer meet at a pub and discover they were born not only on the same day, but in the same hospital. Alix is a successful journalist, and Josie convinces Alix that her story is worth telling: Josie met her husband when she was 13 and he was 40. “I can see that maybe I was being used, that maybe I was even being groomed?” she confesses to Alix. “But that feeling of being powerful, right at the start, when I was still in control. I miss that sometimes. I really do. And what I’d like, more than anything, is to get it back.” From this premise Alix creates a Netflix series, Hi! I’m Your Birthday Twin! which investigates Josie’s life as she reconciles what happened to her as a teen and seeks a new path. With the story unfinished, the narrative unfolds in the present tense, with prose that jingles like song lyrics: “He turns to see if the girl is behind him, and sees her wishy-washy, wavy-wavy, in double vision through the glass windows of the hotel.” Alix is both intrigued and repulsed by Josie, but she initially gives her the benefit of the doubt. After all, Alix’s husband, Nathan, has a drinking problem, and Alix knows what it’s like to be reluctant to leave a bad situation. But Josie seems more interested in being part of Alix’s seemingly glamorous life than she is in fixing her own, and when three people end up dead and Alix’s life is turned upside down, the evidence points to Josie—and turns the TV series into a murder mystery. Transcripts from Alix’s interviews alternate with the narrative, offering increasingly varied perspectives on Josie’s story as told by her neighbors, friends, and family members. With so many versions of events, the ending shatters, leaving readers to decide whose is the truth.

It's hard to read but hard to look away from.

Pub Date: Aug. 8, 2023

ISBN: 9781982179007

Page Count: 384

Publisher: Atria

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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