A disappointing misstep by a versatile writer (Going Native, 1994, etc.).
In this offbeat Civil War novel, a young abolitionist comes to terms with his times as he visits his slave-owning grandparents.
Liberty Fish is born in 1844 in Delphi, N.Y. His parents, Thatcher and Roxana, are ardent abolitionists, spending weeks away from home on the lecture circuit. They also shelter fugitive slaves. Just shy of 17, Liberty volunteers to join the Union army. After several close calls, he deserts his regiment in Georgia, feeling a “divine necessity” to visit his ancestral home (Roxana has quarreled bitterly with her parents and is no longer welcome on the South Carolina plantation where she was raised). Once there, Liberty realizes revenge is futile, though both grandparents are still mighty vicious. Ida is bedridden and Asa, a racist crackpot, is conducting horrifying experiments on his slaves to turn them white. As the Union forces close in, Liberty reluctantly joins Asa in flight to Charleston, where they embark for the Bahamas. Failing to commandeer the vessel, Asa jumps overboard, while Liberty returns to his Delphi home. There are many oddities here. The Civil War section begins only at the halfway point. The leisurely first half, Liberty’s childhood, is crowded with colorful minor characters; their prattle obscures the narrative like fog. Wright flirts with various possibilities (coming-of-age and/or Civil War stories, dysfunctional family saga) but then backs away from them. Liberty makes a curious protagonist, the resolute volunteer and equally resolute deserter becoming largely passive once he reaches the plantation, and that is what is most disturbing. Reasonable expectations that Liberty will prove a cathartic force, cleansing the plantation of its rottenness, go unmet. The problem is also one of tone; Wright surely does not mean to portray Asa as a lovable old rascal, but he comes uncomfortably close.
A disappointing misstep by a versatile writer (Going Native, 1994, etc.).Pub Date: Feb. 17, 2006
ISBN: 0-679-45117-X
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2005
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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