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THE CHEMIST

Rated B for badass.

A professional torturer on the run from her employers falls in with sexy twin brothers.

You probably know Meyer as the then-27-year-old Mormon housewife who woke up from a dream about vampires and gave the world Twilight, though in addition to that series she has already published one adult thriller (The Host, 2008). In her latest, she marries the genres of spy versus spy and throbbing romance novel with good results. Meet Juliana, or Alex, or Casey, or Chris—whatever her alias of the moment is, she’s an operative with a medical school background who specializes in chemically controlled torture and interrogation. Somewhere along the line, she learned too much about the secrets of her employers, and she now lives in a state of high-tech paranoia, sleeping in a bathtub wearing a gas mask in a secret location booby-trapped at every possible ingress. When her old boss calls her in for one last mission, she’s not sure she isn’t being double-crossed—but nonetheless proceeds with the kidnapping of Washington, D.C., schoolteacher Daniel Beach, who's purportedly part of a vile plot to release a virus that will wreak global doom. In fact, he is a man whose deep inner goodness is rivaled only by his scorching outer hotness—but our socially awkward virgin heroine won’t realize this until after she’s taken him to her secret lair, stripped him naked, strapped him to a table, and injected him with compounds that produce pure agony for 10 minutes at a time. The biochemical magic between them is even more powerful than the nasty drugs, and by the time his identical twin brother, a swashbuckling black-ops type, shows up to kill her and rescue him, love has bloomed in the torture chamber. As they begin to see through the layers of cross and double cross, the two agents decide to join forces and go into hiding together, with the brother of course, on a ranch in Texas with a pack of trained superdogs. A tale of skulduggery, bodice rippery, and shoot-'em-up action unfolds, complete with help from a luscious mistress of disguise who could have stepped right out of a James Bond novel.

Rated B for badass.

Pub Date: Nov. 8, 2016

ISBN: 978-0-316-38783-5

Page Count: 528

Publisher: Little, Brown

Review Posted Online: Nov. 3, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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