by Steve Almond ‧ RELEASE DATE: Sept. 18, 2007
Biting humor, honesty, smarts and heart: Vonnegut himself would have been proud.
What do Joyce Carol Oates, snotty bloggers, right-wing radio freaks and a VH-1 reality show have in common? They all get on this author’s nerves—and thank goodness.
In his cult memoir Candyfreak (2004), Almond portrayed himself as a goofy and affable obsessive, a sweets nut willing to do anything within his considerable journalistic powers to track down the perfect piece of chocolate. With his first collection of nonfiction essays, he takes on a darker, funnier, more mature persona: still affable and obsessive, but far less goofy—a pop-culture-saturated intellectual, a kindly grouch, vitriolic Boston Red Sox hater, neurotic new father and Kurt Vonnegut fanatic. Actually, this project was “supposed to be about Vonnegut,” declares Almond, but “the folks at Random House…wanted a book of essays instead. So it goes.” That being the case, it’s little surprise that the chapter on Vonnegut is the collection’s deepest and most thoughtful, especially notable for its priceless recounting of a literary panel/smackdown featuring a crusty Vonnegut, a hostile Joyce Carol Oates and a vapid Jennifer Weiner (no question about whose side Almond is on). When the essayist gets around to discussing himself, he proves to be secure with his insecurities, comfortable enough with his readers to share astoundingly embarrassing events from his sexually confused adolescence, including an episode featuring his mother, a dog and a used condom. Almond has an original, fresh voice and compelling stories to share. Never the least bit pretentious, both his prose and subject matter are accessible, and his righteous indignation is as pleasant as righteous indignation can be. Whether bemoaning the inanity of reality television, justifying his love for the cheese-metal band Tesla or good-naturedly ragging on Oprah Winfrey, he scores big in every chapter of this must-have collection.
Biting humor, honesty, smarts and heart: Vonnegut himself would have been proud.Pub Date: Sept. 18, 2007
ISBN: 978-1-4000-6619-3
Page Count: 304
Publisher: Random House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2007
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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