by Steve Benen ‧ RELEASE DATE: Aug. 13, 2024
Not likely to win over many from the other camp, but with a good amount of signal among the partisan noise.
A fierce takedown of right-wing mendacity committed in the service of a bigger lie.
It’s one thing to spin fables about the phone company killing JFK. It’s quite another to take an event within recent memory and twist it out of all recognition—to say, for instance, that the Jan. 6, 2021, storming of the Capitol was just everyday tourist visitation or legitimate political protest. As Benen, a producer for the Rachel Maddow Show and the author of The Impostors, writes, any Republican who wants to make such claims has to do so without an ounce of bashfulness or self-doubt, for the public will pick up on the fearful scent and leap. “Republicans who intend to replace a factual series of events with fictitious ones must fully commit to the new narrative,” he writes, “no matter how ridiculous it is.” Thus Sen. Tommy Tuberville in a nutshell, and thus the rationale for all of the chaotic performance art on the part of a panoply of GOP leaders: Kevin McCarthy, say, who condemned the Jan. 6 attack but then, in the very next breath, declared that Trump had won the election; the refusal of Republicans up and down the ballot to commit to honoring the results of the next election (“election results are to be embraced when GOP candidates prevail”); their insistence that Trump is the victim of a weaponized Justice Department and not a con man brought to justice. The spin continues: In the current cycle, Republicans are focusing on inflation as a talking point, ignoring that the economy has grown and the unemployment rate has fallen during the Biden administration. Unabashedly one-sided, Benen paints with a broad brush, but not without reason.
Not likely to win over many from the other camp, but with a good amount of signal among the partisan noise.Pub Date: Aug. 13, 2024
ISBN: 9780063393677
Page Count: 256
Publisher: Mariner Books
Review Posted Online: May 25, 2024
Kirkus Reviews Issue: July 1, 2024
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by Ta-Nehisi Coates ‧ RELEASE DATE: Oct. 1, 2024
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Walter Isaacson ‧ RELEASE DATE: Sept. 12, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
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New York Times Bestseller
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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by Walter Isaacson with adapted by Sarah Durand
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