A cleareyed argument that “strategy and governing [have] been replaced by instincts and partisan id.”
A political writer argues that “the modern Republican Party has become a post-policy party.”
In this thoroughly researched book, Benen, blogger and award-winning producer of the Rachel Maddow Show, makes a solid case that in recent years, Republicans have repeatedly upended their once-cherished beliefs in order to focus on more power-oriented political and ideological goals. The author clearly demonstrates how Republicans have consistently reversed positions in order to score points against the Democrats, whether on trade, taxes, guns, immigration, or deficits. Regarding deficits, “since Watergate, every Democratic president has left office with a deficit smaller than when he started, and every Republican president has left office with a deficit larger than when he arrived.” Furthermore, even when Republicans agreed with Democrats, at least in principle, as in the case of the Strategic Arms Reduction Treaty, their votes often failed to reflect bipartisanship. Despite 130 congressional hearings over multiple committees, Republicans—who had once supported many of the Affordable Care Act’s tenets—claimed Obama had “rammed through” the ACA. A particularly ironic example of willful contrariness was the Ebola crisis of 2014, during which Republicans either accused Obama of being “too hands off” or of being alarmist. Donald Trump, who had yet to declare his candidacy, even called for his resignation. The author ably lays out the many disturbing trends in the Republican political arena, making a convincing case for his argument that the GOP has “quit governing” and now merely focuses on attaining and wielding power or simply negating any progress made by Democrats. Unfortunately, given the pace at which events unfold in today’s political landscape, much of the narrative may feel like old news not long after publication.
A cleareyed argument that “strategy and governing [have] been replaced by instincts and partisan id.”Pub Date: June 16, 2020
ISBN: 978-0-06-302648-3
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: March 23, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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