Is the Pope Catholic?
A hotheaded Georgia judge and her probate lawyer husband do battle with a gang of rapacious art collectors and their murderous gofers, in a first novel by a Georgia trial lawyer.
Everybody’s after the amber room, the eye-popping paneled chamber stripped from its suburban St. Petersburg palace by the Nazis in the fading days of the Reich. Not the most practical living space, you understand, but unique, having been crafted from micro-thin layers of the best Baltic amber by the best Baltic craftsmen. Passed from autocrat to autocrat, Hitler wanted it. Göring wanted it. The Allies nearly bombed it. And Karol Borya, a kindly Ukrainian concentration camp survivor, father of that hotheaded judge in Atlanta, is one of the only people in the world with a clue as to where the pretty but dismantled and disappeared room may be, having been witness to the torture of its last known possessors. Alas for old men with old secrets in thrillers, there’s always a pretty assassin waiting in the kitchen to pump you for your knowledge. Here, the villainess is sexy Suzanne Danzer, beloved employee of Czech billionaire, Nazi industrialist, and Soviet collaborator Ernst Loring, member of an ultra-exclusive clutch of stupendously wealthy gents who specialize in collecting stolen masterpieces. And while Suzanne is at Borya’s backdoor, Christian Knoll, yet another employee of yet another supercollector is at the front. They both want to pick his brain in the most unpleasant way, hoping to pin down the whereabouts of that Tsarist treasure. Pumped serially for his secrets by the evil duo, poor old Karol gets heaved downstairs to his death, a demise that will drag his daughter Rachel and ex-son-in-law Paul from the comforts of metropolitan Atlanta to the corrupt corners of Middle Europe. Stilettos fly and silenced bullets plunk, but the plucky legal team, reunited by their special mission, dodge death and poke their noses into darkened churches, spooky tunnels, secret passageways and hidden rooms. Will they live to see their beloved children? Or that rock-lined room?
Is the Pope Catholic?Pub Date: Sept. 1, 2003
ISBN: 0-345-46003-0
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2003
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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