Next book

HOPSCOTCH

A clear, inspiring story about needing a bit of hope to cross the distance.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In his latest novel, Cushman (Hospital Work, 2013, etc.) introduces a minor miracle into a staid hospital setting, and magic happens. 

Dr. Boles “couldn’t quite figure out how, or why, such a thing would be here.” Outside the entrance to a Greensboro, North Carolina, hospital is a hopscotch outline, its “colors of yellow, red, green and blue” adorned with the playful challenge Try It. Walter Winslow of the hospital’s board of trustees isn’t having it and straightaway calls the housekeeping department to erase it. Somehow, the hopscotch board keeps reappearing. Inexplicable but welcome, its presence comes as a mysterious relief to a large cast of hard-luck cases: a sick little girl who can barely remember what it’s like not to be sick, a bitter veteran who left his legs in Iraq, a beleaguered CEO who can’t make the hospital as successful as the board would like, a local reporter with a marriage on the rocks. Once the hopscotch chalk has come to stay, things change. A stiff-shouldered doctor “jumped his way across the boxes, before heading to his car”; an old man with dementia recognizes his wife again as he sees her hopping along the board; pediatricians write their patients prescriptions reading “have fun, go outside and play 2 x a day.” John, the janitor so often tasked with graffiti removal, briefly considers hiding somewhere to see who keeps drawing this one on the sidewalk, but he decides that “life, he knew, was short on mysteries, and this was one he didn’t mind leaving unsolved.” Cushman has written an unabashedly inspirational novel, one that aims to quicken the reader’s spirits and deliver exemplary lessons through the eyes of characters we can’t help but pity and feel fondness toward. Miracles can still take place, even in the dourest spots. Some readers may find it implausible that a thing so small as a chalk game could bring such joy to a diverse and embittered group, but others will find the book uplifting.

A clear, inspiring story about needing a bit of hope to cross the distance. 

Pub Date: May 31, 2017

ISBN: 978-1-60489-177-5

Page Count: 146

Publisher: Livingston Press

Review Posted Online: May 5, 2017

Kirkus Reviews Issue: July 1, 2017

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 50


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 50


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Close Quickview