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THE SEA CAME IN AT MIDNIGHT

38097766.499 Erickson, Steve THE SEA CAME IN AT MIDNIGHT A sometimes disorienting novel from Erickson (American Nomad, 1997, etc.) weaves together the lives of a handful of people confronting the millennial apocalypse both personal and cosmic. Set mainly in Los Angeles and Paris over the course of four decades, from the “50s to the present, the story displays Erickson’s trademark obsession with underground, unnoticed lives and the ways they are conducted. He assembles a dozen or so chronicles of extremity, the central one belonging to Kristin, who at the last minute drops out of her role as the 2,000th participant in a strange cult’s New Year’s Eve 1999 mass suicide. Landing in Tokyo, she works as a “memory girl,” hired to listen as patrons tell the stories of their lives. (These need to be told because Japan’s collective memory has been evaporating since the Emperor abdicated his divinity in 1945.) Left with some empty time when a client expires one evening, Kristin begins to tell her own story, which involves poverty, trauma, and nearly a month of uninterrupted nudity in an empty house. The house belongs to “the Occupant,” who meets Kristin through a personal ad and introduces her to the Apocalypse Calendar, his own strange creation establishing a new schedule for the millennium based on the idea that the catastrophes that go unnoticed (e.g., assassinations in the developing world) are highly relevant, while the high-profile catastrophes that most of us hear about (say, the shooting of President Reagon) are trivial in the grand scheme of things. The calendar tells the story of the Occupant’s life, which folds into the lives of Mitch, Marie, and other equally alienated souls. In this haphazard collective biography, occasionally powerful epiphanies glimmer amid the cultural junk cluttering the social trash-heap through which these characters walk. Yet the distractingly complex plot sometimes doesn’t even make nonsense. And the taste for a naked young woman’s spiritual rejuvenation during sexual intercourse performed on her as she dangles blindfolded from a rope is, undoubtedly, an acquired pleasure.

Pub Date: April 1, 1999

ISBN: 0-380-97766-4

Page Count: 272

Publisher: Avon/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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SEE ME

More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose...

Sparks (The Longest Ride, 2013, etc.) serves up another heaping helping of sentimental Southern bodice-rippage.

Gone are the blondes of yore, but otherwise the Sparks-ian formula is the same: a decent fellow from a good family who’s gone through some rough patches falls in love with a decent girl from a good family who’s gone through some rough patches—and is still suffering the consequences. The guy is innately intelligent but too quick to throw a punch, the girl beautiful and scary smart. If you hold a fatalistic worldview, then you’ll know that a love between them can end only in tears. If you hold a Sparks-ian one, then true love will prevail, though not without a fight. Voilà: plug in the character names, and off the story goes. In this case, Colin Hancock is the misunderstood lad who’s decided to reform his hard-knuckle ways but just can’t keep himself from connecting fist to face from time to time. Maria Sanchez is the dedicated lawyer in harm’s way—and not just because her boss is a masher. Simple enough. All Colin has to do is punch the partner’s lights out: “The sexual harassment was bad enough, but Ken was a bully as well, and Colin knew from his own experience that people like that didn’t stop abusing their power unless someone made them. Or put the fear of God into them.” No? No, because bound up in Maria’s story, wrinkled with the doings of an equally comely sister, there’s a stalker and a closet full of skeletons. Add Colin’s back story, and there’s a perfect couple in need of constant therapy, as well as a menacing cop. Get Colin and Maria to smooching, and the plot thickens as the storylines entangle. Forget about love—can they survive the evil that awaits them out in the kudzu-choked woods?

More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose corn syrup, stickily sweet but irresistible.

Pub Date: Oct. 13, 2015

ISBN: 978-1-4555-2061-9

Page Count: 304

Publisher: Grand Central Publishing

Review Posted Online: Sept. 30, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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