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MARIJUANA IS SAFER

SO WHY ARE WE DRIVING PEOPLE TO DRINK?: UPDATED AND EXPANDED EDITION

A well-designed initiative to redress the villainization of marijuana.

A sensible approach to the legalization of marijuana that pits the plant against alcohol, from Fox and Tvert (Marijuana Policy Project) and Armentano (National Organization for the Reform of Marijuana Laws).

It’s not rocket science: Alcohol puts more people in the hospital or graveyard than marijuana. If our laws are meant to prevent harm to others, then what harm are we trying to prevent by the illegalization of marijuana? In fact, making marijuana illegal absurdly inflates its value and encourages violent crime to command its distribution. The sources of marijuana’s illegalization are vile, rather easily traceable to bigoted attitudes toward Mexicans and African-Americans. Certainly, there are moments in this otherwise thoughtful and policy-driven initiative that veer perilously close to demonizing alcohol in the same manner that marijuana has been demonized. Is it really universal that “[w]hen low to moderate levels of alcohol are consumed, complex mental faculties such as memory, concentration, and judgment are affected, as well as one’s mood and motor coordination”? To what degree? Doesn’t a toke or two get you fried? Occasionally, the authors address any study calling marijuana to the table with, “though this finding remains controversial and inconclusive,” while accepting as gospel studies that, for instance, report any alcohol consumption by women increases cancer, which should require a caveat. Thinking people—the book’s target audience—will feel this condescension. Regardless, the authors’ argument that marijuana is the safer of the two recreational intoxicants is rock solid, and one can see that this everyday, common-sense comparison would be an effective tool in changing public perception, manipulated as it has been by everyone from Nancy Reagan to the great brewing concerns. The authors end with a workable proposal for a grass-roots response, complete with talking points and ready answers to FAQs, to bring the issue to the ballot.

A well-designed initiative to redress the villainization of marijuana.

Pub Date: Sept. 1, 2013

ISBN: 978-1-60358-510-1

Page Count: 256

Publisher: Chelsea Green

Review Posted Online: July 6, 2013

Kirkus Reviews Issue: July 15, 2013

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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