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SOMETIMES CREEK

An astute, confident writer spins grim but entrancing tales.

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Characters mourn bygone days and dread uncertain futures in this debut collection of short stories.

By all accounts, 10-year-old Arthur Penske cost his hockey team the game in this book’s opening tale, “Exile.” Afterward, he gets sage advice about his troubles, including an “a-hole” teammate, from a surprising source—a homeless man who hits the boy with truths he may not want to hear. Like much of the cast, Arthur faces dark times ahead, which in his case include continued misery at home and at school. In other stories, it’s a loss that dims a person’s life. Ned, in the tale “little blind flying mice,” for example, irks locals, as he regularly walks around Noisy Creek, Wisconsin, with LED lights and a line of fluttering bats trailing behind. He’s not trying to upset anyone; these bats, which one day simply started following him, provide solace after he loses his beloved basset hound. Readers should anticipate relentless somberness, as illnesses and death fracture families and joy becomes a thing buried in memories. Sometimes, it’s an overall gloomy tone that fuels the narrative. Sampo Andersen, who likely suffers PTSD, is out for a simple dog walk in “Everyone Is Dead” and wanders into bleak territory, both internally and externally. That’s akin to Philippa “Pip” Peters at a Noisy Creek cafe in “Unresolved,” sitting alone with her “dark moods”—feelings she’s certain won’t leave anytime soon. She’s merely one player in a remarkable cast, a set of believably flawed individuals who, even at their lowest or most despondent moments, remain captivating.

Fox’s hard-hitting stories tackle relatable and topical issues in realistic fashion. The dystopian “Goat Milk,” for example, spotlights a lethal virus devastating North America. As in epidemics throughout history, these fictional citizens face dwindling resources and a perpetual fear of even stepping outside. But not every narrative element is reality-based, such as the talking rodent the size of an 8-year-old child in “Randy Koenig’s Very Large Mouse.” But that quirky story further promotes the book’s themes, as the abnormally big mouse has been just as affected by the Covid-19 pandemic as humans. Animals, usually dogs, play crucial roles in this collection. That’s true for the titular canine in “Orange Tree Dog,” who, according to rumors in a small neighborhood, is anywhere from 40 to 60 years old. She’s undeniably a constant who sticks around as two-legged neighbors invariably change. These tales aren’t entirely daunting, like the occasionally upbeat “I Prefer You in Spanish,” a love story about two college-age Americans who fall for each other in Europe. This couple moreover showcases the author’s vivid characterizations; with parents hailing from Lima, Peru, and Madrid, the two alternate between English and Spanish, sometimes during arguments, while touring Spain. In the same vein, Fox delivers animated prose throughout: “It didn’t take long to reach Orange Tree Dog’s house….I must have looked like a cartoon character, screeching up within a cloud of dust. Orange Tree House Man sat, reclined on his front steps like the last time, all big and bushy and scary and tight-yellow-shirted.” The final offering, the title story of a widower and his young daughter, carries readers to a quiet, unforgettable close.

An astute, confident writer spins grim but entrancing tales.

Pub Date: N/A

ISBN: 9798986144764

Page Count: 223

Publisher: Cornerstone Media

Review Posted Online: Jan. 12, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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