Though the storyline’s lacking, the bold art—shivery, cute, exciting—will keep pages turning.
A shuttered amusement park holds a portal to its magical mirror world.
In the abandoned theme park Adventure Kingdom, a boy hoping to livestream his exploits runs into a girl on the broken-down carousel. Clark and Karoline each carry half of an old coin, given to them years ago by Karoline’s grandad, who ran the park before he vanished. When the kids meet, their half coins pull them through a portal into the original Adventure Kingdom, a magical amusement park full of exciting creatures. Like the mundane world’s park, the magical one has fallen on hard times, and Clark and Karoline must flee the brutish minions of the mysterious Iron King. The tale relies extensively on genre shorthand, and rarely do the emotional beats have any payoff. Why does Clark have such a strong reaction to betrayal, for example, and how is it connected to his parents? Not only do readers never learn, but it’s irrelevant to his action-oriented character arc. The hook isn’t in the sketched outline of a plot but in the appealing illustrations. The comic panels are bright, well composed, and dynamic, making excellent use of gutters and color (courtesy ofMaruno). Adorable animate fuzzballs, a looming fortunetelling robot, and various talking animals people the Adventure Kingdom. The motivations of the Iron King may be thinly drawn, but his illustrated megalomania is gleefully intimidating. Karoline presents White; Clark has olive skin.
Though the storyline’s lacking, the bold art—shivery, cute, exciting—will keep pages turning. (Graphic fantasy. 8-11)Pub Date: Oct. 5, 2021
ISBN: 978-1-5248-7078-2
Page Count: 160
Publisher: Andrews McMeel Publishing
Review Posted Online: Aug. 30, 2021
Kirkus Reviews Issue: Sept. 15, 2021
Dizzyingly silly.
The famous superhero returns to fight another villain with all the trademark wit and humor the series is known for.
Despite the title, Captain Underpants is bizarrely absent from most of this adventure. His school-age companions, George and Harold, maintain most of the spotlight. The creative chums fool around with time travel and several wacky inventions before coming upon the evil Turbo Toilet 2000, making its return for vengeance after sitting out a few of the previous books. When the good Captain shows up to save the day, he brings with him dynamic action and wordplay that meet the series’ standards. The Captain Underpants saga maintains its charm even into this, the 11th volume. The epic is filled to the brim with sight gags, toilet humor, flip-o-ramas and anarchic glee. Holding all this nonsense together is the author’s good-natured sense of harmless fun. The humor is never gross or over-the-top, just loud and innocuous. Adults may roll their eyes here and there, but youngsters will eat this up just as quickly as they devoured every other Underpants episode.
Dizzyingly silly. (Humor. 8-10)Pub Date: Aug. 26, 2014
ISBN: 978-0-545-50490-4
Page Count: 224
Publisher: Scholastic
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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