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THE LIMOUSINE LIBERAL

HOW AN INCENDIARY IMAGE UNITED THE RIGHT AND FRACTURED AMERICA

Provocative, timely, and immensely rewarding reading.

The story of one of the longest-lasting negative metaphors in America politics: the limousine liberal.

In this rich, incisive book, Fraser (The Age of Acquiescence: The Life and Death of American Resistance to Organized Wealth and Power, 2015, etc.) traces the complex history of a political metaphor intended to characterize hypocritical liberals who live self-satisfied lives of elitism and decadence while feigning deep concern for the poor. The term was first coined during John Lindsay’s 1969 New York mayoral campaign; his Democratic opponent, Mario Procaccino of the Bronx, described the election as a contest between affluent Manhattan reformers (who rode in limos, not subway cars) and the working-class outer boroughs. In their classic incarnation, limousine liberals are wealthy, socially connected graduates of tony prep schools and Ivy League colleges. In fact, writes Fraser, the term now signifies the lifestyle of diverse individuals, from actors Ben Affleck and George Clooney, who are “excoriated for the same conspicuously empty moralizing and self-righteous gesturing,” to Jamie Dimon of JPMorgan Chase, who supported Barack Obama’s first presidential campaign. Based largely in Wall Street, Silicon Valley, and Hollywood, and with the New Yorker as their house organ, these liberals have spurred “an enduring politics of resentment directed against most of the major reforms of the last seventy-five years,” including civil rights, women’s liberation, and the welfare state. Indeed, the limousine liberal epithet has fueled right-wing populist politics in America. The author examines the long prehistory of animosity against cosmopolitan America, as evinced by the Scopes trial and the Ku Klux Klan and right-wing populists from Huey Long and Father Charles Coughlin through today’s tea party. Noting that limousine liberals have been seen as threatening “the integrity of the family, racial hierarchy, and the virility of the homeland,” Fraser conveys the ferocity of America’s culture wars in his sharp observations, which often cut uncomfortably close to the bone: “Awash in white guilt, [limousine liberals] genuflect before impassioned journalists like Ta-Nehisi Coates.”

Provocative, timely, and immensely rewarding reading.

Pub Date: May 10, 2016

ISBN: 978-0-465-05566-1

Page Count: 288

Publisher: Basic Books

Review Posted Online: March 13, 2016

Kirkus Reviews Issue: April 1, 2016

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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