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GOING, GOING, GONE!

A BASEBALL NOVEL

A raucously entertaining, richly atmospheric SF–tinged sports fable.

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Baseball players travel back in time to the wild major leagues of the early 20th century in this fantasy.

Hermanos’ tale follows three modern-day San Francisco Giants teammates—prima-donna star André Velez, who keeps hammering homers with the help of illicit steroids; struggling rookie second baseman Johnny Blent; and grizzled manager Bucky Martin. They get catapulted back to the year 1906 during an earthquake and wash up with the New York Giants. The trio takes in a barely recognizable sport where bats weigh 50 ounces; unkempt playing fields are studded with rocks and potholes; spitballs are legal; drunken fans routinely attack players on the diamond; and contracts pay $800 a year. Blent and Velez painfully adjust—the half Black Velez pretends to be a Native American to get into the segregated majors—to become top players. Martin, meanwhile, gets hired as manager thanks to his 21st-century sabermetrics; he gradually tames a team that likes liquor, vandalism, and gunplay better than practicing and leads the Giants from the cellar to the World Series. Unfortunately, the trio’s new timeline is warped by the presence of New Glory, a Caribbean slave empire run by Confederates who escaped to Cuba after the Civil War and are forcing Albert Einstein to build them an atom bomb. When New Glory’s baseball league challenges the Giants to a “Solar Series,” the fate of the world hangs in the balance. Hermanos’ novel mixes steampunk themes into a vivid baseball yarn that’s full of colorful period details and piquant sketches of historical figures, from wily mound genius Christy Mathewson to a blustery Theodore Roosevelt and a mad Nikola Tesla. The author’s portrait of old-time baseball steeps readers in intricate strategizing, punchy dialogue—“Phillippe, you fucking infant! Suck your thumb! Shake your rattle!” goes a typical on-field razzing—and play-by-play that’s riveting and even lyrical. (“Head down, legs churning, he senses the white light of God is emanating from second base as he races for it, the ball crossing his field of vision as he slides, the ball ticking off the second baseman’s glove, Blent popping up and zipping for third, McGraw’s fist of a face staring at the ball coming in, ‘Down! Down! Down!’ ”) Readers will stick with this riotous page-turner to the last out.

A raucously entertaining, richly atmospheric SF–tinged sports fable.

Pub Date: March 8, 2022

ISBN: 978-1-950301-23-2

Page Count: 528

Publisher: Inkshares

Review Posted Online: May 14, 2022

Kirkus Reviews Issue: July 15, 2022

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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