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GOING, GOING, GONE!

A BASEBALL NOVEL

A raucously entertaining, richly atmospheric SF–tinged sports fable.

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Baseball players travel back in time to the wild major leagues of the early 20th century in this fantasy.

Hermanos’ tale follows three modern-day San Francisco Giants teammates—prima-donna star André Velez, who keeps hammering homers with the help of illicit steroids; struggling rookie second baseman Johnny Blent; and grizzled manager Bucky Martin. They get catapulted back to the year 1906 during an earthquake and wash up with the New York Giants. The trio takes in a barely recognizable sport where bats weigh 50 ounces; unkempt playing fields are studded with rocks and potholes; spitballs are legal; drunken fans routinely attack players on the diamond; and contracts pay $800 a year. Blent and Velez painfully adjust—the half Black Velez pretends to be a Native American to get into the segregated majors—to become top players. Martin, meanwhile, gets hired as manager thanks to his 21st-century sabermetrics; he gradually tames a team that likes liquor, vandalism, and gunplay better than practicing and leads the Giants from the cellar to the World Series. Unfortunately, the trio’s new timeline is warped by the presence of New Glory, a Caribbean slave empire run by Confederates who escaped to Cuba after the Civil War and are forcing Albert Einstein to build them an atom bomb. When New Glory’s baseball league challenges the Giants to a “Solar Series,” the fate of the world hangs in the balance. Hermanos’ novel mixes steampunk themes into a vivid baseball yarn that’s full of colorful period details and piquant sketches of historical figures, from wily mound genius Christy Mathewson to a blustery Theodore Roosevelt and a mad Nikola Tesla. The author’s portrait of old-time baseball steeps readers in intricate strategizing, punchy dialogue—“Phillippe, you fucking infant! Suck your thumb! Shake your rattle!” goes a typical on-field razzing—and play-by-play that’s riveting and even lyrical. (“Head down, legs churning, he senses the white light of God is emanating from second base as he races for it, the ball crossing his field of vision as he slides, the ball ticking off the second baseman’s glove, Blent popping up and zipping for third, McGraw’s fist of a face staring at the ball coming in, ‘Down! Down! Down!’ ”) Readers will stick with this riotous page-turner to the last out.

A raucously entertaining, richly atmospheric SF–tinged sports fable.

Pub Date: March 8, 2022

ISBN: 978-1-950301-23-2

Page Count: 528

Publisher: Inkshares

Review Posted Online: May 14, 2022

Kirkus Reviews Issue: July 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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