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ANNIE’S GHOSTS

A JOURNEY INTO A FAMILY SECRET

Beautifully complex, raw and revealing.

A family secret leads Washington Post senior editor Luxenberg to reinterpret his family history.

In 1995, the author learned that his aging mother had a sister she had never mentioned. It came up during a visit to the doctor; her parents had institutionalized their disabled two-year-old when she was four, she said, and she never saw her sister again. Since his mother was facing severe medical problems, Luxenberg felt this wasn’t the time to pursue the details. After his mother’s death a few years later, he learned that the sister’s name was Annie and she was buried with his grandparents in Michigan. Determined to discover the truth about Annie, he began his investigation with an endless list of difficult questions. He learned that Annie had a deformed leg, amputated in 1936 when she was 17, and mental health problems. Her parents committed her to a state institution in 1940, a time when such places served primarily to remove patients from society rather than to help them recover or become fit to live in the outside world. Luxenberg’s mother had been 23, not four, when Annie was committed. To the shame of being poor was added the stigma of having a sister in a state institution because they couldn’t afford anything better. She wanted a different future, and to achieve this she believed she would have to bury her sister and her own childhood; she began to deny Annie’s existence completely, telling people she was an only child. As Luxenberg slowly uncovers Annie’s story, he realizes that by exposing one ghost, he exposes thousands; by discovering one secret, he discovers those of his entire family. The author calls on his investigative reporting skills not just to uncover the facts, but to explore what happens when lies or omissions become truth, exposing the contradictions, contrasts and parallels that exist within every life, every relationship and every family.

Beautifully complex, raw and revealing.

Pub Date: May 5, 2009

ISBN: 978-1-4013-2247-2

Page Count: 416

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2009

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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