by Steve Martin ‧ RELEASE DATE: Sept. 16, 1998
Lighter-than-air mockery. Often ingenious.
Martin (Cruel Shoes, 1979), star of stage and screen, and a guy once glimpsed with an arrow through his cranium, here toys with ink and paper.
With a gathering just shy of two-dozen little pieces, of which many originally appeared in the New Yorker, the comedian-actor-author offers commentary in the vein of his New Yorker forebears, S.J. Perelman, Robert Benchley and Woody Allen. He has improved since his Cruel Shoes, arrow-in-the-head days; if he hasn’t yet beaten those other worthies at their special game, Martin is at least a contender. He, like them, shows continuing evidence of linguistic hypomania—he’s more than a bit mad on punctuation, words, et cetera. Like Perelman, he’s also good at commentary on current and ephemeral events, like tripping up friends or relatives with clandestine recordings, or casting the roles of incumbent chief executive and first lady with Lucy and Ricky, or deconstructing a dumb remark by Marlon Brando. Especially sharp wit is brought to bear on the bicoastal drivel of showbiz luminaries, who babble of Prada leather pants in order to hide from the fans their real intellectual prowess. Certainly the Martin oeuvre is not uniform, never monotonous. True, there’s a piece about an eager dog with a setup that doesn’t support the punch line, for example, but even a belabored item about a mature Lolita can offer lines like, — —Lo-lee-tah,— she tongued. A column of sweat drained down the boy, and he entered puberty.” Three or so neat and nice pages even announce a shortage of periods in the Times Roman font—and the piece does indeed finally use just one of those very punctuation points.
Lighter-than-air mockery. Often ingenious.Pub Date: Sept. 16, 1998
ISBN: 0-7868-6467-2
Page Count: 128
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1998
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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