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THE DANCING CLOCK

Not nearly so engaging as its subject, alas.

The fabulous musical Delacorte clock in Central Park in New York City is the subject of a snow monkey’s devotion, told in rhymed couplets.

Milo the snow monkey loves to watch and listen to the clock, on which two monkeys ring a bell and animals circle—the bear with a tambourine, the elephant with a squeezebox accordion, the hippo with the fiddle. He wants to join their dance. One day, the zookeeper leaves a gate unlocked, and Milo leaps out to sit on the bell with the monkeys and then dance with each animal figure in turn. The crowds cheer. But then Milo realizes it is cold up there, and there’s no food. Fortuitously, the zookeeper comes by, a well-placed nut toss attracts her attention and Milo is back with his buddies, “A clock can be special, but not like a friend!” It is clear from the falling russet leaves that this is autumn. Curiously, most of the brightly clad figures look more French than East Coast urban. There are hats on most of the adults and many of the children; there are scarves and hair ribbons galore on the big-eyed, sharp-nosed gentry in their plaids and polka-dots. The verse chugs along, thwacking its rhymes as it goes, which can be irritating or satisfying depending on readers’ tastes. A note “About the Dancing Clock” offers a bit more information.

Not nearly so engaging as its subject, alas. (Picture book. 3-5)

Pub Date: Sept. 1, 2011

ISBN: 978-1-58925-100-7

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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I NEED A HUG

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...

A hug shouldn’t require an instruction manual—but some do.

A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)

Pub Date: Jan. 29, 2019

ISBN: 978-1-338-29710-2

Page Count: 32

Publisher: Scholastic

Review Posted Online: Sept. 29, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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