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SPEED MACHINES

More a handsome first draft than a well-considered final product.

Developer Miles Kelly presents a decent but curiously static selection of speedy land, sea and air vehicles.

“I feel the need, the need for speed,” said Tom Cruise’s character in the movie Top Gun, speaking the sentiments of the many, from all quarters of the globe, who simply wish to go faster and faster. This work does not explore the urge, but it does have a partial handle on the ways and means. From motorcycles to trains to speedboats to helicopters and supersonic aircraft, a couple dozen particular machines are presented in cutaways and profile, which can be spun about to look at the top, bottom and sides. Brief, boxed histories and associated “Fast Facts” come in great number, and there are inquiries called “Look Closer,” which explain altimeters, pressurization, Li-ion cells, fuel pumps, droop-snoots and other features of quick craft. A number of real classics are introduced—the X-1 and X-15, the jet-powered Bluebird boat, the Concorde and the TGV—though contemporary vehicles are given short shrift. The slide shows offer balance to the text but can feel too brief, and the videos are both terrific and disappointing—who really wants to watch a Flying Fortress sitting on the runway?—especially when they are not accompanied by sound. The presentation, primarily a flip-page affair, though visually attractive, doesn’t have a sense of energy, and reader involvement is minimal.

More a handsome first draft than a well-considered final product. (Nonfiction enhanced e-book. 10 & up)

Pub Date: June 15, 2012

ISBN: N/A

Page Count: -

Publisher: Miles Kelly Publishing

Review Posted Online: Aug. 14, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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IMPOSSIBLE CREATURES

From the Impossible Creatures series , Vol. 1

An epic fantasy with timeless themes and unforgettable characters.

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Two young people save the world and all the magic in it in this series opener.

When tall, dark-haired, white-skinned Christopher Forrester goes to stay with his grandfather in Scotland, he ventures to the top of a forbidden hill and discovers astonishing magical creatures. His grandfather explains that Christopher’s family are guardians of the “way through” to the Archipelago, where the Glimourie Tree grows—the source of glimourie, or the world’s magic. Black-haired, olive-skinned Mal Arvorian, a girl from the Archipelago, is being pursued by a murderer, and she asks Christopher for help, launching them both on a wild, dangerous journey to discover why the glimourie is disappearing and how to stop it. Together with a part-nereid woman, a ratatoska, a dragon, and a Berserker, they face an odyssey of dangerous tasks to find the Immortal, the only one who can reverse the draining of magic. Like Lyra and Will from Philip Pullman’s His Dark Materials, Mal and Christopher sacrifice their innocence for experience, meeting every challenge with depthless courage until they finally reach the maze at the heart of it all. Rundell throws myriad obstacles in her characters’ way, but she gives them tools both tangible (a casapasaran, which always points the way home, and the glamry blade, which cuts through anything) and intangible (the desire “to protect something worth protecting” and an “insistence that the world is worth loving”). Final art not seen.

An epic fantasy with timeless themes and unforgettable characters. (map, bestiary) (Fantasy. 10-16)

Pub Date: Sept. 10, 2024

ISBN: 9780593809860

Page Count: 368

Publisher: Knopf

Review Posted Online: May 30, 2024

Kirkus Reviews Issue: July 1, 2024

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THIS BOOK IS ANTI-RACIST

20 LESSONS ON HOW TO WAKE UP, TAKE ACTION, AND DO THE WORK

Essential.

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A guidebook for taking action against racism.

The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.

Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)

Pub Date: Jan. 7, 2020

ISBN: 978-0-7112-4521-1

Page Count: 160

Publisher: Frances Lincoln

Review Posted Online: Sept. 14, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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