This tale delivers a surreal but bumpy journey through different times and places.
A debut supernatural thriller focuses on one woman’s ability to shift space and time.
Jane Takako Wolfsheim has just had a seizure. Jane was discovered on a park bench by a man named Jorge Luis Borges before being whisked away to the hospital. After a lengthy and difficult recovery, Jane comes across the man who saved her. Borges is an antiques dealer (not the Argentine author of the same name) and he insists that their meeting again is no accident. Jane winds up falling in love with Borges and the couple embark on a trip to Japan. It is here that things get strange. Sometime later, Jane wakes up in Costa Rica. Borges insists that her memories of Japan are but a dream. He also tells her they must return to the United States because Jane’s parents have died. As Jane visits the cemetery where her parents are buried, she is surprised by a haiku-spouting Japanese man from the 1600s named Bashō. Bashō has a few things to tell Jane, phrased in such a cryptic way that none of them are particularly useful. Not long afterward, Jane is arrested for the murder of her parents. From here, things only get stranger. While readers may initially expect Jane’s adventure to encompass a few odd aspects (such as a man who shares the name of a famous writer), they may be surprised at the direction Searls’ story takes. Bashō and Borges are merely the tip of the iceberg in a tale that digs into alternate realities and even a complex prophecy. All of these explorations result in a multitude of twists, though the narrative can at times be tedious. For instance, a lengthy backstory for one character provides more information than is needed in a tale initially shrouded in mystery. But in the end, the threads all culminate in a creative take on the fragile nature of reality. Yet some details could have been left to the readers’ imaginations.
This tale delivers a surreal but bumpy journey through different times and places.Pub Date: Aug. 27, 2020
ISBN: 978-1-68433-512-1
Page Count: 266
Publisher: Black Rose Writing
Review Posted Online: May 16, 2020
Review Program: Kirkus Indie
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
BOOK REVIEW
This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.
A time-toying spy romance that’s truly a thriller.
In the author’s note following the moving conclusion of her gripping, gleefully delicious debut novel, Bradley explains how she gathered historical facts about Lt. Graham Gore, a real-life Victorian naval officer and polar explorer, then “extrapolated a great deal” about him to come up with one of her main characters, a curly-haired, chain-smoking, devastatingly charming dreamboat who has been transported through time. Having also found inspiration in the sole extant daguerreotype of Gore, showing him to have been “a very attractive man,” Bradley wrote the earliest draft of the book for a cluster of friends who were similarly passionate about polar explorers. Her finished novel—taut, artfully unspooled, and vividly written—retains the kind of insouciant joy and intimacy you might expect from a book with those origins. It’s also breathtakingly sexy. The time-toggling plot focuses on the plight of a British civil servant who takes a high-paying job on a secret mission, working as a “bridge” to help time-traveling “expats” resettle in 21st-century London—and who falls hard for her charge, the aforementioned Commander Gore. Drama, intrigue, and romance ensue. And while this quasi-futuristic tale of time and tenderness never seems to take itself too seriously, it also offers a meaningful, nuanced perspective on the challenges we face, the choices we make, and the way we live and love today.
This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.Pub Date: May 7, 2024
ISBN: 9781668045145
Page Count: 352
Publisher: Avid Reader Press
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
PERSPECTIVES
SEEN & HEARD
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