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WHEELS UP

Name: WHEELS UP
Author: Steve Taylor
ISBN: 978-0-9914911-0-0

SKY JINKS IN THE JET AGE

by Steve Taylor ‧ RELEASE DATE: May 16, 2014

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A memoir about what happens to a hyperactive kid when he grows up and becomes an airline pilot.
Debut memoirist Taylor grew up in South Carolina, matriculated at The Citadel, flew in Vietnam, and then spent a long, very satisfying career as a pilot with Delta Airlines. He didn’t achieve his dream of being a fighter pilot (for one thing, he had a very dicey stomach), but his stint in Southeast Asia piloting huge C-130 cargo planes prepared him well to fly Delta’s big jets. The book’s early chapters are pretty brutal, as upperclassmen at The Citadel screamed at him and tormented him, and then instructors in flight school did the same. But Taylor was spunky, giving as good as he got, and he loved to play practical jokes and pull pranks, such as when he tricked flight attendants into thinking a weather balloon was a UFO. Some of these pranks are funny, but others are somewhat labored in the telling. Readers have a front-row seat during harrowing landings in Vietnam, close calls flying for Delta, and other misadventures. When Taylor writes of retiring at the age of 60, saying, despite the parting festivities, that it was “one of the saddest days of my life,” readers will believe him. There are many more stories here; for example, the author sailed solo from Bermuda to North Carolina. (Taylor holds a U.S. Coast Guard captain’s license and, alone and becalmed at sea, gives his inner poet free rein.) He also writes of hunting turkey and deer; raising his four kids as a single dad; his late, touching tribute to a man who taught him how to temper steel, and much more. Readers will overlook the frat-boy quality of the early high jinks, because when push came to shove, Taylor proved to be a sensitive, responsible grown-up. They will come to like Capt. Taylor very much, which is more than half the charm of a good memoir and a sign of a good memoirist. The book also includes photographs by the author.
A good read, of special interest to those who love flying.

Pub Date: May 16, 2014

ISBN: 978-0-9914911-0-0

Page Count: 211

Publisher: Joggling Board Press

Review Posted Online: July 8, 2014

Review Program: Kirkus Indie

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.