A memoir about what happens to a hyperactive kid when he grows up and becomes an airline pilot.
Debut memoirist Taylor grew up in South Carolina, matriculated at The Citadel, flew in Vietnam, and then spent a long, very satisfying career as a pilot with Delta Airlines. He didn’t achieve his dream of being a fighter pilot (for one thing, he had a very dicey stomach), but his stint in Southeast Asia piloting huge C-130 cargo planes prepared him well to fly Delta’s big jets. The book’s early chapters are pretty brutal, as upperclassmen at The Citadel screamed at him and tormented him, and then instructors in flight school did the same. But Taylor was spunky, giving as good as he got, and he loved to play practical jokes and pull pranks, such as when he tricked flight attendants into thinking a weather balloon was a UFO. Some of these pranks are funny, but others are somewhat labored in the telling. Readers have a front-row seat during harrowing landings in Vietnam, close calls flying for Delta, and other misadventures. When Taylor writes of retiring at the age of 60, saying, despite the parting festivities, that it was “one of the saddest days of my life,” readers will believe him. There are many more stories here; for example, the author sailed solo from Bermuda to North Carolina. (Taylor holds a U.S. Coast Guard captain’s license and, alone and becalmed at sea, gives his inner poet free rein.) He also writes of hunting turkey and deer; raising his four kids as a single dad; his late, touching tribute to a man who taught him how to temper steel, and much more. Readers will overlook the frat-boy quality of the early high jinks, because when push came to shove, Taylor proved to be a sensitive, responsible grown-up. They will come to like Capt. Taylor very much, which is more than half the charm of a good memoir and a sign of a good memoirist. The book also includes photographs by the author.
A good read, of special interest to those who love flying.
Pub Date: May 16, 2014
ISBN: 978-0-9914911-0-0
Page Count: 211
Publisher: Joggling Board Press
Review Posted Online: July 8, 2014
Review Program: Kirkus Indie
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
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BOOK TO SCREEN
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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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