Meticulous, authoritative research informs a vivid narrative.
A satisfying follow-up to the author’s The War Beat, Europe (2017).
Drawing on a prodigious number of sources, including extensive media, government, and military archives; oral histories; newspapers and magazines; and published histories, memoirs, and biographies, Casey, a professor of international history at the London School of Economics, offers a cleareyed look at the experiences of war correspondents reporting on the Pacific front. Faced with tropical weather, insects, and disease, the correspondents confronted conditions very different from those in the European theater. “The jungle breaks everything down,” complained one reporter after a long stint in New Guinea, “typewriter, camera, papers. My glasses gave way this morning.” Most egregiously, reporters confronted censorship from military authorities, who insisted on vetting stories. Military regulations could be “suffocating, encompassing almost every aspect of the reporters’ daily lives, from what to wear at mealtimes to where to throw their cigarette butts.” Correspondents assigned to the Navy, whose oversight was especially strict, grew rebellious; those assigned to the Army soon realized that they would be rewarded by burnishing the reputation of the self-aggrandizing Gen. Douglas MacArthur, who believed that news of his challenges and triumphs would shift Franklin Roosevelt’s focus from Europe to the Pacific. Casey recounts in detail correspondents’ efforts to publish stories that the government wanted to suppress—of the Bataan Death March, for example, testimonies of atrocities from prisoners of war, and the destruction wrought by kamikaze raids. He creates deft portraits of a burgeoning population of correspondents as well as the editors and publishers who competed for—and helped to shaped—the news. Besides examining military engagements, he recounts reporters’ dangerous exploits as they sailed through treacherous waters, parachuted out of planes, and made their ways across forbidding terrain. Although most of these correspondents are little remembered today, Casey casts a well-deserved light on their commitment to truth and on the hardships they endured to convey the reality of war.
Meticulous, authoritative research informs a vivid narrative.Pub Date: May 3, 2021
ISBN: 978-0-19-005363-5
Page Count: 408
Publisher: Oxford Univ.
Review Posted Online: Feb. 3, 2021
Kirkus Reviews Issue: March 1, 2021
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Questlove’s instincts as a superfan and artist take this history beyond the hype to something very special.
A memorable, masterful history of the first 50 years of an indelible American art form.
While historians often cast themselves as omniscient in their works, delivering facts and stories as important without acknowledging the impact of their own experiences on the narrative process, Questlove—drummer, DJ, music historian, and author of Mo’ Meta Blues, Creative Quest, and Music Is History—is forthcoming about the fact that he experienced music differently as he grew older. “I wasn’t sitting down for five hours listening to them over and over and over again, trying to unpack every nuance from every corner,” he writes, recalling his feelings decades into his relationship with the genre. “But I was—I am—a DJ, which meant that I had a professional interest in excavating the songs that worked.” The author’s observations spanning the entirety of hip-hop’s history are consistently illuminating—e.g., connecting its shift in five-year increments to the dominant drug of the period, from crack to sizzurp to opioids. However, it’s his personal connection to certain eras that make his latest book stand out. Questlove considers the late 1980s and early ’90s as the “golden age of hip-hop, when innovative MCs and innovative DJs seemed to spring up every few months, and classic albums regularly sprouted on the vine.” That era—filled with masterpieces from Public Enemy, De La Soul, and N.W.A.—is universally revered, but Questlove also recognizes that it coincides with the years between high school and when he officially became an artist—a time when he was immersed in finding inspiration and understanding the construction of hip-hop. While the author’s knowledge of hip-hop is as deep as any musicologist, it’s his passion for certain artists and songs that sets him apart.
Questlove’s instincts as a superfan and artist take this history beyond the hype to something very special.Pub Date: June 11, 2024
ISBN: 9780374614072
Page Count: 352
Publisher: AUWA/MCD
Review Posted Online: March 25, 2024
Kirkus Reviews Issue: May 1, 2024
PERSPECTIVES
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