Corbin (No Easy Place to Be, 1989) offers a fierce exploration of love, race, and sexuality as a black screenwriter loses the man of his dreams in a terrifying maze of homophobia, self-hatred, abuse, and AIDS. Dexter, a hot new African-American writer, meets Sergio, a rich Mexican-American bilingual book publisher, on a lonely Thanksgiving when he wants nothing more than a ``quick drink, an even quicker fuck.'' But Sergio doesn't let him go so easily, and Dexter enjoys being ``wined and dined'' all over Los Angeles. Sergio further impresses Dexter when he has the guts to reveal he's HIV-positive and symptomatic. Even though Dexter casually replies, ``Oh, that?... Who isn't?'' he doesn't reveal his own positive, although asymptomatic, status yet. But soon after, Mr. Perfect begins to show flaws. He coerces Dexter into a mÇnage Ö trois, he remains closeted to everyone in his family except his heterosexual twin brother, he has no gay friends, and then his health deteriorates when he gets AIDS-induced Kaposi's sarcoma. Dexter resolves to stand by him, and hope comes when Sergio gets accepted into an experimental bone-marrow transplant procedure for twins- -they'll know in a 100 days if the transplant will give him another seven or eight years or even cure him completely. But Sergio's insistence on telling his close family he contracted AIDS from an old girlfriend, telling everyone else he has leukemia, and most reprehensibly, claiming he's paying Dexter to take care of him and ordering him around like a servant as Corbin unflinchingly describes the grueling daily care, makes Dexter a martyr if he stays and guilty if he doesn't, since even the doctor believes that Sergio can't make it without him. Easy to read, sometimes to the point of being simple—although this can't diminish the importance of this raw, honest, and brave work.
Pub Date: June 1, 1994
ISBN: 1-55583-232-6
Page Count: 220
Publisher: Alyson
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1994
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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