Much ado about a lot of stuff most youngsters won’t fully get or appreciate.
Nothing equals something.
Pals Oona and Otto visit the Museum of Nothing. In the Nobody Room, they’re greeted by a sign featuring lines from Emily Dickinson’s “I’m Nobody! Who Are You?” and a “statue” of the Invisible Man “stands” on a base. (Otto shakes hands.) The Blank Library contains books with empty pages, while the Zero Wing displays works of art that depict the number zero in several languages (along with a portrait of actor Zero Mostel, his head shaped like a zero). The kids visit the gift shop and, upon arriving home, announce they saw NOTHING! at the museum. This cheeky, overly hip metaphysical journey will appeal to adults more than children—though the Hall of Holes is kid-level fun—and will require much explaining from grown-ups. References to “Yayoi, Kaholo, and Ono” on a sign will likely go over youngsters’ heads, as will Agatha Christie’s And Then There Were None in the Blank Library. An appendix, “The Catalog of the Museum of Nothing,” is a boon, even for adults. Still, crisp ink and digitally colored illustrations include numerous cleverly embedded zeroes and letter Os to represent the concept of “nothing”; children will enjoy scouring the pages to locate them and may want to illustrate their own ideas about nothingness. Blond, pale-skinned Oona and dark-haired, brown-skinned Otto wear clothes featuring zeroes. (This book was reviewed digitally.)
Much ado about a lot of stuff most youngsters won’t fully get or appreciate. (Picture book. 6-9)Pub Date: Oct. 17, 2023
ISBN: 9781662651441
Page Count: 48
Publisher: Minerva/Astra Books for Young Readers
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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