Benni Baum, headstrong chief of the Israel Defense Force's Special Operations arm, continues to do battle against Israel's many enemies—in a lengthy but engrossing follow-up to Hartov's The Heat of Ramadan (1992). Although deeply involved in a hush-hush prisoner swap with Hizbollah (a band of Tehran-sponsored terrorists), Benni is sent on a flying visit to New York City to help investigate the bombing of a consular office. While in Manhattan, the overweight and 50-ish intelligence officer successfully reaches out to his estranged daughter Ruth (a grad student in psychology). Meantime, the crafty head of Iran's secret police has engaged Martina Ursula Klump (whose band of hired Palestinian guns does odd strong-arm jobs for Islamic fundamentalists throughout the world) to sabotage the covert exchange of POWs as cover for the theocracy's efforts to secure nuclear hardware from one of the erstwhile Soviet Union's breakaway republics. Benni and the lissome but lethal Martina have a past, and he's soon on her trail. Still, she manages to purloin a deadly new torpedo from the US Navy and to kidnap Ruth, spiriting both to a hideout in the desert wilds of Algeria. The distraught Benni quickly recruits a motley crew of Jewish irregulars (from as far away as South America) to mount a rescue mission to an ad hoc base in Casablanca. The German-born agent and his men then parachute into an assembly area near Martina's camp, rout her mercenaries, and liberate Ruth. But the ever-resourceful Martina escapes the ambuscade in a helicopter, and Benni must pursue her to the Moroccan coast for a final confrontation if he's to prevent a launching that could scuttle the long-planned trade of a Muslim cleric for an Israeli commando. A fine beat-the-devil tale notable for three-dimensional characters with failings as well as strengths, plus suspenseful action and twisty plotting.
Pub Date: April 1, 1996
ISBN: 0-688-14120-X
Page Count: 512
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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