by Steven Hartov ‧ RELEASE DATE: April 17, 2018
A fast-moving plot and vivid characters make this a most satisfying read.
A Waffen SS colonel plans to profit from World War II while his adjutant hopes to survive it in this tale of good and evil, sex and love.
Young Cpl. Shtefan Brandt looks fit and Aryan, so Col. Himmel chooses him as his adjutant. Himmel is a dashing hero who leads his men on daring raids against the Allies without “a bone of fear in his body.” Brandt is Catholic, but he’s terrified that Himmel will find out that he's mischling—he had a Jewish great-grandmother. Fortunately, "for an assassin, a brigand, a tyrant and a thief, my master did have his good points,” such as never checking Brandt’s background. The thoroughly apolitical Himmel knows Germany is losing the war, and he schemes to steal the Allied payroll from a train. Characters are well-portrayed—Shtefan is upright, principled, even virginal until Himmel orders him to bed a woman. He fears disappointing his master, who can put a bullet in his head at any time. In occupied France, they see the beautiful 18-year-old Gabrielle Belmont, whose parents have been executed. The hateful Himmel takes her as his unwilling mistress—if she refuses, he’ll make certain her townsfolk die—but both men are smitten with her. In time she secretly loves Shtefan, but both live “only at the Colonel’s whim,” so if they even hint at their feelings they will both die. Himmel reveals his robbery plan to Shtefan, which includes them and Gabrielle absconding to South America with the loot. But Shtefan hopes to steal both Gabrielle and some of the money from Himmel. Disgusting as the colonel is, he’s an insightful man. Knowing from an intercepted letter that Shtefan’s mother has just been sent to Dachau, he tells his adjutant that “In the end, your kind will find my kind.”
A fast-moving plot and vivid characters make this a most satisfying read.Pub Date: April 17, 2018
ISBN: 978-1-335-14457-7
Page Count: 304
Publisher: Hanover Square Press
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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SEEN & HEARD
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
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SEEN & HEARD
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