An intriguing but uneven Red Scare tale.
A man attempts to throw a music festival while informing for the FBI in this novella.
New York, 1953. Two days after surviving his first police raid on a gay club, music manager Bruce Harnes is sent by his boss to Westchester County to the home of wealthy widow Dora Berlin. Berlin asks young Bruce to put on a summer festival on the grounds of her estate, something that he sees as an exciting niche project to help make a place for himself in the music world: “A music festival outdoors on a great estate! So much to do! Dates; artists; programs; publicity. Parking! My God, chairs! My God, what if it rained?” It appears to be a dream come true until the FBI turns up, armed with Bruce’s sexual orientation as leverage. Because of Berlin’s long-standing ties to certain Russians (she had a relationship with a prominent Russian inventor that only ended via the intervention of Stalin), the bureau demands that Bruce serve as a confidential informer, keeping tabs on Berlin and passing intelligence to his FBI handlers. Now Bruce must organize a festival (with his ex-lover as the music director, no less) while navigating the world of amateur espionage with his benefactor on one side and the FBI on the other. Meyers (I Remember Caramoor, 2017, etc.) writes in a confident and stylish prose, evoking the setting and time period with concision: “There’s glamour to New York’s early winter dusk, the city’s nerves and energies throbbing as people stride onto the pavements eager to get on with it.” Despite the rather absurd premise (this is not a comedic work), the author’s general disinterest in genre conventions should suck readers in—if only to find out where this is going. Some of the players (the FBI agents, in particular) are quite flat, and the ending comes quickly. Several characters and events would have benefited from a little more fleshing out. Even so, the book is a strange enough brew of elements and authorial choices to leave a distinctive impression.
An intriguing but uneven Red Scare tale.Pub Date: Nov. 20, 2017
ISBN: 978-1-63492-732-1
Page Count: 87
Publisher: Booklocker
Review Posted Online: Dec. 19, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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