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A SMALL FURRY PRAYER

DOG RESCUE AND THE MEANING OF LIFE

A heartfelt example of humanitarianism at work.

A journalist and lifelong dog lover attests to the joy and the emotional fallout behind animal-rescue work. 

In the poignant preface, Kotler (West of Jesus: Surfing, Science and the Origins of Belief, 2006, etc.) movingly describes his psychologically exhaustion after the death of seven dogs in as many weeks at his New Mexico canine sanctuary, Rancho de Chihuahua. The altruistic author, who has battled Lyme disease, recounts his many years of selflessly caring for special-needs dogs (“the very old, the very sick, the really retarded”) with his wife, Joy, a fiercely devoted dog lover who spearheaded the effort. Kotler backtracks to early 2007 when he and Joy (then his girlfriend)—both writers, both broke—were unceremoniously booted out of their tiny Los Angeles home and immediately drove to Chimayo, N.M. Tucked in a dusty valley north of Santa Fe, Chimayo has a 60 percent poverty rate and is a regular target for federal drug raids. The region is also “the black tar heroin overdose capital” of America, a religious hotbed of miracle healings and supreme outlaw territory for “bikers and bandits and beatniks.” Amid isolation, uncertainty and overcrowding, it became home for Kotler, his wife and their amassed pack of rescues. Kotler lovingly describes pups like Gidget, rescued at barely two pounds; Ahab, formerly abused and harboring separation anxiety; Squirt, an obese “dachshund-pug hybrid”; and Salty, a “shell-shocked” three-pound Chihuahua with heartworm. Then there was Leo, a mangy pit bull who became the author’s first rescue in New Mexico, was euthanized before he could become adopted. In the strongest scenes, the book drives home the agony of pet loss. Kotler offers a touching account of Chihuahua adventures alongside interesting blurbs on the history of pet ownership, canine ethology, the semantics of the dog-adoption process, homosexuality in nature and the intricate science behind canine domestication.

A heartfelt example of humanitarianism at work.

Pub Date: Oct. 1, 2010

ISBN: 978-1-60819-002-7

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: June 21, 2010

Kirkus Reviews Issue: July 15, 2010

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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