An intriguing if bet-hedging work of futurology that calls into question the whole business of futurology itself.
A gimlet-eyed look at the promises of technology and futurists past.
If people were to live to be 1,000, and if one of them committed some heinous crime, would it be just for a life sentence to last multiple centuries? Thus one of the thought experiments in the latest by the Novellas, a follow-up to The Skeptics’ Guide to the Universe. The authors argue that while we have made tremendous progress in technology in the past half-century, it’s been in arenas that we didn’t quite expect: not the cure for cancer or the solution to climate change but instead fun apps to distract us from the world. “I drive to work in a car that would most likely seem ordinary to a driver from the 1950s,” write the authors, “but they would likely be blown away by my GPS and entertainment system.” That we might expect different comes from the overselling of a gleaming future by science fiction—e.g., the promise in 2001 that we would have traveled to Jupiter two decades ago or the projection that we’d have so much leisure time that we’d all become masters of our various corners of the universe. Instead, as the authors note, modern life proves “the deep philosophical principle that shit happens,” with most of us incapable of seeing it coming. The authors venture a few predictions of their own, including the expansion of robotics and the mechanization of biology, creating replacement parts within our bodies that are far more effective than the current titanium knees and hips. “But why limit ourselves to the original body plan?” he rejoins. “We can even add extra limbs.” One thing may be certain: If we live forever or very nearly so as “genetically modified cyborgs,” there won’t be much need for children—so maybe don’t buy stock in diaper manufacturers.
An intriguing if bet-hedging work of futurology that calls into question the whole business of futurology itself.Pub Date: Sept. 27, 2022
ISBN: 978-1-538-70954-2
Page Count: 512
Publisher: Grand Central Publishing
Review Posted Online: June 15, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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