by Steven Pinker ‧ RELEASE DATE: Sept. 28, 2021
A reader-friendly primer in better thinking through the cultivation of that rarest of rarities: a sound argument.
Much-published psychologist Pinker looks at the not-so-common roots of common-sensical thinking.
Rationality, writes the author, “emerges from a community of reasoners who spot each other’s fallacies.” In other words, it has a social dimension, and it invites good company in order to wrestle with big problems such as climate change. Unfortunately, “among our fiercest problems today is convincing people to accept the solutions when we do find them.” That’s because so many people are so—well, irrational, or at least encumbered by bad habits of thinking and presuppositions. Discussing beliefs in ghosts and haunted houses, the author wryly points out that 5% more people believe in the latter than in the former, which means “that some people believe in houses haunted by ghosts without believing in ghosts.” Rationality is not the same thing as logic, Pinker argues, though there are points in common. Along the way, he examines the differences between propensity and probability, the maddening habit of falling victim to confirmation bias (believing what we want to believe and never mind contrary evidence), the workings of the conjunction rule (by which we conflate suppositions about people and events based on little or no factuality), and our tendency to mistake coincidence for pattern. Pinker serves up plenty of mental exercises that are intended to help us overcome the tricks our minds play on us—e.g., Prisoner’s Dilemma game-theoretic scenarios that help expose the reasons so many people are content to be “free riders” in using public goods; or stupid conspiracy theories advanced by people who believe they’re being suppressed, which, as Pinker notes, is “not the strategy you see from dissidents in undeniably repressive regimes like North Korea or Saudi Arabia.” The author can be heady and geeky, but seldom to the point that his discussions shade off into inaccessibility.
A reader-friendly primer in better thinking through the cultivation of that rarest of rarities: a sound argument.Pub Date: Sept. 28, 2021
ISBN: 978-0-525-56199-6
Page Count: 400
Publisher: Viking
Review Posted Online: June 22, 2021
Kirkus Reviews Issue: July 15, 2021
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SEEN & HEARD
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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More In The Series
by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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