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TIDES OF WAR

brilliant, epic, intelligent, and moving.

Pressfield produces an even greater spectacle—and, in its honest, incremental way, an even greater heart-tugger—than in

his acclaimed tale of the battle of Thermopylae, Gates of Fire (1999). Jason, son of Alexicles, lived almost to 92, in the prime of that long life having fought for Athens and been close friend to Socrates. When a grandson asks him whether, of all those he'd known in his life, there had been “one whom memory has driven deepest,” Jason responds immediately: yes, Polemides, the man who assassinated Alcibiades. Thus unfolds the most remarkable of tales, told partly in Jason's own words and partly in the words of the imprisoned and treason-charged soldier Polemides as—over the same few days that Socrates waits to drink the hemlock—he tells Jason the story of the many intertwinings of his own military life, during the “thrice nine years” of the Peloponnesian War, with the life of that bold, brilliant, gifted, immeasurably ambitious leader, Alcibiades. The political complexities between Sparta and Athens, not to mention the cultural competition between them, are handled with a clarity that enlightens and captivates the reader at once—as Polemides becomes a mercy killer in the ghastly Great Plague in Athens early in the war; as Alcibiades all but single-handedly launches the Athenian fleet in its attack on Sicily—only then, when he's recalled on charges of treason, to abandon the fleet (and Polemides) to one of history's most ungodly, cruel, costly defeats; and as the same Alcibiades afterward piles up one glorious naval victory after another in Asia and the Hellespont, returning to Athens in glory only later to be declared, through his enemies' skilled manipulations of the demos, the greatest danger to her. On every page are color, splendor, sorrow, the unforgiving details of battle, daily life, and of the fighter's lot. Unabashedly

brilliant, epic, intelligent, and moving.

Pub Date: April 4, 2000

ISBN: 0-385-49252-9

Page Count: 432

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2000

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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