In his funny, ardent, and staunchly kooky way, Rowley expresses exactly what it’s like to love a dog.
A lonely writer and his aging dachshund confront a mythic enemy.
If it wasn’t for one thing, Rowley’s debut novel might be viewed as a lightly fictionalized, heart-wrenching account of the author’s last six months with his adored 12-year-old dog, Lily, who succumbed to a brain tumor. That one thing, however, is pretty big. It’s the “octopus” of the title. “It’s Thursday the first time I see it. I know that it’s Thursday because Thursday nights are the nights my dog, Lily, and I set aside to talk about boys we think are cute.…We get into long debates over the Ryans. I’m a Gosling man, whereas she’s a Reynolds gal.” The thing Ted notices that fateful Thursday is an octopus. It “has a good grip and clings tightly over her eye.” For almost all of this novel that thing over Lily’s eye remains an “octopus,” an evil eight-legged sea creature that snarks and schemes and wages battle. Even Ted’s best friend and therapist give in and call it an octopus, and a good deal of plot is built around pretending that it is, in an elaborately developed, magical realist way. This is not the best thing about the book. In fact, it becomes a little much. But more than balancing it are the portrait of Lily in all her bedclothes-burrowing, ice cream–eating, stubborn dachshund glory and the intensity of this particular interspecies bond. The octopus talks to Ted, but Lily does too, for example when she’s licking tears off his face: “THIS! EYE! RAIN! YOU! MAKE! IS! FANTASTIC! I! LOVE! THE! SALTY! TASTE! YOU! SHOULD! MAKE! THIS! EVERY! DAY!” As anyone who has a dachshund knows, this is exactly how they talk. If you have an older dog, or any dog, he or she is going to be licking plenty of eye rain off your face through the final chapters of this book.
In his funny, ardent, and staunchly kooky way, Rowley expresses exactly what it’s like to love a dog.Pub Date: June 7, 2016
ISBN: 978-1-5011-2622-2
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: March 14, 2016
Kirkus Reviews Issue: April 1, 2016
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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