Fans of Guncle #1 (now big-screen bound) are most likely to stay on board, so best to start there.
Gay Uncle Patrick—GUP—is back, helping his niece and nephew deal with their father’s remarriage.
As the author humbly notes in his afterword, the first installment of this series was embraced by readers who fell in love with the character of the aging screen star and his relationship with young Maisie and Grant, whom he was caring for in the wake of their mother’s death and their father’s stint in rehab. Now it’s five years later and the children have a new trauma to face—their father’s wedding to a titled Italian woman, held at Lake Como. The first chapter starts with a bang, as we learn that the nuptials at the Grand Hotel Tremezzo are threatened with cancellation, to the seeming delight of the younger contingent, who remain 100% opposed. Readers who love Rowley for his banter, his classic gay/boomer wisdom (“brunch is awesome”; “I believe it was the great philosopher Steve Winwood who said that finer things keep shining through”), and his tender delineation of the bond between a man and his “niblings” will likely be able to forgive the dull, cringey trip through Europe that proceeds in flashback for the next third of the book, as Patrick introduces his charges to Parisian hot chocolate, Sound of Music lore in Austria, gondolas and gelato in Venice. Once back at Lake Como, things pick up, as Patrick throws himself into a rivalry with the children’s prospective new “launt”—lesbian aunt—Palmina. At the emotional center of the novel are two characters at awkward ages: Maisie at 14, with her smart mouth, loyalty to her mom, problems with her period, and new Prada culottes; and Patrick at 49, who has cut his dear younger partner Emory loose in preparation for his imminent dotage.
Fans of Guncle #1 (now big-screen bound) are most likely to stay on board, so best to start there.Pub Date: May 21, 2024
ISBN: 9780593540459
Page Count: 320
Publisher: Putnam
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
