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CAN'T TAKE THAT AWAY

A defiant love letter to queer youth; honest, brutal, and more important than ever.

Genderqueer Carey seeks to become the next Elphaba amid teenage struggles with relationships and queerphobia.

Things haven’t been the same since Carey came out: Their former best friend, Joey, has been avoiding them, and they’ve been dealing with constant microaggressions from school bully Max and conservative teacher Mr. Jackson. It’s not all bad however, because they have their idol Mariah Carey; other best friend, Monroe; and new crush, Cris, to help them out. Now they just need to rock the auditions for the school’s production of Wicked. Pop-culture references abound, firmly rooting Carey’s world in time, but this works in the narrative’s favor, as it deals with topical issues. Scenes of targeted violence and discussions of suicidal ideation make this a tough read, but one shining light stands out: Carey will not be silenced. LGBTQ+ identities are prevalent, including bisexual, lesbian, gay, and genderqueer characters in the main cast. Love interest Cris is Filipino and Greek, and other characters are ethnically diverse; Carey is White. Mental health is discussed often, particularly issues caused by intolerance, and Carey is shown attending therapy sessions. While the narrative often reads like a tragedy, Salvatore takes great care to show that the lives of Carey and their friends are anything but and clearly sends a message of support for those striving to be their true selves.

A defiant love letter to queer youth; honest, brutal, and more important than ever. (author's note, resources, guide to protesting, playlist) (Fiction. 13-18)

Pub Date: March 9, 2021

ISBN: 978-1-5476-0530-9

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: Dec. 21, 2020

Kirkus Reviews Issue: Jan. 15, 2021

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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