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KINGDOM OF TWILIGHT

Uhly's frequently fascinating epic revisits the Holocaust and its aftermath not through concentration camp narratives but...

In German writer Uhly's sprawling tale of Nazism and its toxic effects on Europe and beyond, Jewish survivors and German tormentors alike struggle for identity and a sense of place.

The book begins its march through inglorious history when Margarita, a young and pregnant Polish Jewish woman, shoots and kills an SS officer. She finds a safe haven in the cellar of a German couple's farmhouse, where she has the baby. After she dies, the woman who took her in is left to raise the child as her granddaughter. The slain SS officer's superior, Ranzner, meanwhile, responds by having 37 Poles killed—one for every year of the victim's life. He also acts out his twisted sense of superiority by raping Anna, a young Jewish woman, and controlling her as his sex slave. His obsession with the shrewd, unattainable Anna will last the rest of his life, even after he changes his name, marries, and has a family. As for Anna, who becomes pregnant, she marries Peretz, a Palestinian Jew who works for a Jewish organization for escapees. Anna and Peretz settle in the newly recognized state of Israel as refugees, with all the fear and doubt that entails. As compelling as the stories are, the book is lifted highest by the profound questions they raise about essence and existence, survival and the endless sense of displacement that mocks that state of being. There is no coming to terms with the past—no slate-cleaning new life for Anna and no moral cleansing for Ranzner. These nearly 600 pages are sometimes slow going. But the book's considerable rewards, including shifts between stark realism and eerie fabulism and characters whose secrets have secrets, more than make up for that.

Uhly's frequently fascinating epic revisits the Holocaust and its aftermath not through concentration camp narratives but through the stories of survivors desperately trying to make sense of the "real" world.

Pub Date: Aug. 7, 2018

ISBN: 978-1-63506-065-2

Page Count: 592

Publisher: MacLehose Press

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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