A peculiar guide to large-scale cooperation and achievement, disguised as a sci-fi fable.
Diverse alien cultures predating the Big Bang face the contracting of their universe and attempt to survive the Singularity apocalypse.
This sci-fi novel by Zecola (The Race to Cure Parkinson’s Disease, 2011, etc.) draws a quick picture of the teeming universe before the storied Big Bang, when space was in a period of gradually increasing contraction. The early encyclopedia-like (akin to The Hitchhiker’s Guide to the Galaxy) chapters describe four alien worlds and the intelligent life on them. They also reveal how these beings reacted once they perceived an approaching apocalypse, with their universe inevitably fated to collapse into a tiny, hot, dense Singularity. Some religion-centered beings simply opt to do nothing, believing their souls will persist in the afterlife and that’s that. On a different planet, egg-shaped inhabitants of surpassing intellect—but not the best at public administration—could eventually think of a solution (in fact, it was these aliens’ runaway technology that triggered the approaching doom). But they lack the means to implement it, as internal revolt wracks their flawed society. Another civilization includes invisible mutants who are able to elude the giant, saurian predators roaming their planet. But the Singularity threatens this sphere’s equilibrium. And one world hosts three intelligent life forms who “cohabitate and thrive in a shared setting,” an ability that could “prove very useful” in the challenges ahead. In his short book, Zecola’s strange payoff is that the beings on each of the four planets have some of the key ingredients to solve the problem of how to survive the Big Bang. Only by seeing past their differences, communicating with one another, and fully cooperating in the centuries-long countdown will they be able to pull it off. The author lucidly shows this as an example of supreme project management, deftly pinpointing examples of altruism, foresight, and the act of leaving the “forces of evil” at the door. (Or the wormhole, or the porthole, or whatever.) Employing puns in the names of places and species (“Mulligans,” “Broadcoms,” etc.) gives the material a fable aspect. Readers interested in extensive project management will discover some helpful advice here. But traditional genre fans will likely find that the tale delivers lots of bullet-point sermonizing.
A peculiar guide to large-scale cooperation and achievement, disguised as a sci-fi fable.Pub Date: Nov. 20, 2017
ISBN: N/A
Page Count: 77
Publisher: CreateSpace
Review Posted Online: Jan. 20, 2018
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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