Historically fascinating and emotionally gripping: another success for Davies.
A striking seventh novel from British scholar and critic Davies (Four Dreamers and Emily, 1997, etc.) examines the revolutionary passion of two women separated by 400 years.
When Olivia’s mother dies, the teenaged girl and her father acquiesce in the dead woman’s wish to be buried in the yard of Pinfold, the home that’s been in the family for generations. While digging a grave for the devout Quaker, the two come upon the remains of a 17th-century woman. More startling, and of particular interest to the archaeologists brought in, is the artifact she’s buried with: a scold’s bridle, a gruesome device of torture once used to silence troublesome women and heretics. For the stoic Olivia, fascination with the dead woman first serves as a distraction from the death of her mother, then turns into a more generalized obsession when she goes off to college and becomes a historian. Her unorthodox teaching methods and overt masculinity manner win her few friends, though the independent Olivia cares less about her contemporaries than about her mission to find the identity of the woman she unearthed all those years ago. When the skull of the woman identifies her as one Hannah Jones, Olivia begins searching in earnest. As historian/detective, she painstakingly uncovers documents that illuminate Hannah’s extraordinary life as one of England’s earliest Quaker proselytizers. With her “yoke-fellow” (wife and religious helpmate) Isabel Clarke, Hannah roamed the countryside as a religious and social anarchist, frequently tortured and imprisoned, until finally she was executed and buried in shame with the bridle. Using “found” documents, Davies builds an exacting portrait of the turbulent time and instills a quiet majesty in her subjects. Fierce, bewitching Hannah, humble Isabel, even misanthropic Olivia—all lend a compelling dignity to this little gem.
Historically fascinating and emotionally gripping: another success for Davies.Pub Date: Nov. 15, 2000
ISBN: 0-7043-4659-1
Page Count: 228
Publisher: Women’s Press/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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