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THE ODDS

A Valentine to marriage as it is actually lived in troubled times.

An emotional richness permeates this short novel about a couple on the verge of ending their marriage while pondering whether they can salvage it.

In recent years, O’Nan (Emily, Alone, 2011, etc.) has emerged as an accomplished chronicler of the bittersweet mundane, the everyday stories of characters who are no better or worse than their readers, but simply human, suffering through lost jobs, disintegrating families, dashed dreams, while showing a resilience in the appreciation of whatever blessings their lives afford them. Marking their 30th wedding anniversary, Art and Marion prepare for their impending divorce by taking one last trip together, a re-creation of their honeymoon at Niagara Falls. It’s a splurge they can no longer afford, as they’ve both lost their jobs and they’re about to lose their house, but Art hopes that going for broke at the casino with what little they have saved can reverse their fortunes. And though they’ve both had affairs that neither have been able to forget and at least one has found it hard to forgive, they still love each other. Or are comfortable with each other. Or at least used to each other. She recognizes that she has “succumbed to the inertia of middle age” while he worries that “without Marion he wouldn’t know what to do or even who he was.” So they spend their weekend drinking and gambling, grumbling about the tourist attractions, attending a Heart concert with a bunch of other middle-aged fans (a hilarious set piece), stumbling toward making love, complaining about uncomfortable shoes and going to the bathroom (a lot, for such a compact narrative). Each chapter title gives the odds on something to do with the novel (“Odds of a married couple making love on a given night: 1 in 5,” “Odds of Heart playing ‘Crazy on You’ in concert: 1 in 1”). Given the novel’s subtitle, A Love Story, the odds of it not ending tragically are pretty good.

A Valentine to marriage as it is actually lived in troubled times.

Pub Date: Jan. 23, 2012

ISBN: 978-0-670-02316-5

Page Count: 192

Publisher: Viking

Review Posted Online: Oct. 15, 2011

Kirkus Reviews Issue: Nov. 1, 2011

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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