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OCEAN STATE

Name: OCEAN STATE
Author: Stewart O'Nan
ISBN: 978-0-8021-5927-4

by Stewart O'Nan ‧ RELEASE DATE: March 8, 2022

Not one of this gifted author’s best, though it’s finely rendered with poignant realism.

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Prolific, protean O’Nan examines a familiar subject, hard-pressed working-class life in America, through the lens of a Rhode Island murder.

Ashaway, Rhode Island, in 2009 is a typical postindustrial town; the mill that employed most of its residents is closed, leaving people like Carol to scrabble for a living as a nurse’s aide to support her two teenage daughters. One of them, Marie, opens the novel with these words: “When I was in eighth grade my sister helped kill another girl.” This is not a whodunit but an exploration of why the murder happened; O’Nan tells the story with his characteristic compassion (and artistic boldness) by inhabiting the consciousnesses of four unhappy, conflicted females. Overweight, unpopular Marie is the fearful, helpless observer. Carol wants more for her girls than she has, “but exactly how that will happen she can’t imagine”—so she focuses instead on finding a new boyfriend who’s better than the parade of losers who have earned her eldest daughter Angel’s contempt. Angel can’t see any way out either; her post-graduation future promises little beyond continuing to work in her dead-end after-school job while privileged boyfriend Myles heads for college and “she’ll lose him to some rich girl.” Actually, Myles is already cheating on her with Birdy, the victim-to-be, whose lovestruck perspective is the fourth narrative strand. But she’s no rich girl; Birdy and Angel are more alike than different, frustrated and obsessing about a boy who doesn’t seem worth it. Seen only through others’ eyes, Myles’ role in the ensuing tragedy remains murky. The novel’s main thrust is also unclear; Marie’s closing monologue suggests themes of memory and identity that weren’t particularly evident as the story progressed. However, the book is rich in social detail, including the teenagers’ socially networked world, and warmed by O’Nan’s customary tenderness for ordinary lives. Everyday People was the title of one of his first great novels, in 2001, and depicting everyday people with sensitive acuity remains one of his principal artistic achievements here.

Not one of this gifted author’s best, though it’s finely rendered with poignant realism.

Pub Date: March 8, 2022

ISBN: 978-0-8021-5927-4

Page Count: 240

Publisher: Grove

Review Posted Online: Dec. 14, 2021

Kirkus Reviews Issue: Jan. 1, 2022

Categories:

- BOOK REVIEW
HENRY, HIMSELF
by Stewart O'Nan

- BOOK REVIEW
EMILY, ALONE
by Stewart O'Nan

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THE WEDDING PEOPLE

by Alison Espach ‧ RELEASE DATE: July 30, 2024

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

Categories:

FAMILY LIFE & FRIENDSHIP | GENERAL FICTION | LITERARY FICTION

- BOOK REVIEW
NOTES ON YOUR SUDDEN DISAPPEARANCE
by Alison Espach

- BOOK REVIEW
THE ADULTS
by Alison Espach

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THREE DAYS IN JUNE

by Anne Tyler ‧ RELEASE DATE: Feb. 11, 2025

Sweet, sharp, and satisfying.

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Their daughter’s wedding stirs up uncomfortable memories for a divorced couple.

The day before the ceremony, the bride’s mother, Gail Baines, second in command at the Ashton School in Baltimore, learns that not only has she been passed over to replace the retiring headmistress, but the new recruit is bringing her deputy with her. The lack of people skills that have cost Gail this promotion are evident even in that initial scene; she’s a classic cranky Tyler protagonist, given to blurting out her opinions with little consideration for others’ feelings. Her first-person narration also reveals her to be touchingly vulnerable, convinced that daughter Debbie, prettier and more polished than she, will inevitably prefer husband-to-be Kenneth’s overbearing, better-off parents. Although her divorce from Max was amicable, Gail considers him a bit of a slacker, and isn’t best pleased when he turns up with a rescue cat in tow and says he has to stay with her because Kenneth is horribly allergic. A startling revelation from Debbie, fresh from her pre-wedding “Day of Beauty,” immediately divides the exes, who have very different opinions about how their daughter should handle this crisis. It also leads to Gail’s revelation of the infidelity that led to their divorce, though not in the way readers might imagine. Laid-back Max is the only fully fleshed character here other than Gail, and the novel is very short, but Tyler’s touch is as delicate, her empathy for human beings and all their quirks as evident in her 25th work of fiction as it was in her first, published an astonishing 60 years ago. Gail’s acerbic observations about the wedding and all its participants, her wistful memories of her odd-couple romance with Max, and her account of their enforced intimacy over the three days surrounding the wedding alternate to poignant effect. The closing pages offer a happy ending that feels true to the characters and utterly deserved.

Sweet, sharp, and satisfying.