A deft, emotionally resonant tale about family, love, music, and finding oneself.
Two college freshmen struggle to break away from family dysfunction and forge their own identities in this new-adult romance.
Charlotte “Charlie” Logan and Trevor Adler met at age 4 and were the best of friends for 10 years, until his parents moved and they lost touch, each believing the other had forsaken the friendship. Four years after their separation, they see each other at a sorority-pledge date auction; Trevor is stunned that Charlie has cashed in her “nineties band fetish and combat boots” just so she could raid her sister’s closet and become her “parents’ dream child.” He doesn’t know Charlie’s tragic reason for changing her wardrobe and muffling her former self—her older sister, Katie, committed suicide shortly after Trevor left, and Charlie blames herself. Trevor’s family has its own troubles: both his parents are alcoholics, and his father is also a compulsive gambler. Forced into the role of responsible adult before his time, Trevor has spent years running interference with landlords and bookies; he’s exploited his musical talent to raise money for his folks, draining the joy from what he should love most. Charlie and Trevor’s reunion will make them both face how inauthentic their lives have become, and as their rekindled friendship deepens into love, they try to help each other find a new, more fulfilling path. Smith’s (Bound by Prophecy, 2015, etc.) novel is full of rich, small details that bring her characters to life—for instance, Charlie’s nervous habit of tapping out Bach with her fingers. By switching between Charlie’s and Trevor’s first-person points of view, the author makes them equally compelling. Their romance is easy to root for because it’s based not on infatuation but on understanding “each other in a way no one else ever will.” With this knowledge comes the realization that they can’t save each other—they can only offer each other support. Both Charlie and Trevor must try to muster the strength to rescue themselves.
A deft, emotionally resonant tale about family, love, music, and finding oneself.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Perfect Storm Publishing
Review Posted Online: March 21, 2017
Kirkus Reviews Issue: May 1, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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