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LIFECODE

THE THEORY OF BIOLOGICAL SELF-ORGANIZATION

An intriguing work of new ideas on the cutting edge of biology, though not for the uninitiated.

Lavishly illustrated examination of the theory of biological self-organization—territory unfamiliar to most.

The theory of self-organization is an attempt to answer the continuing and ancient question of how the organism develops from a solitary fertilized egg to achieve its final form in maturity. Pivar believes that biology as a discipline has no overarching theoretical principle to explain the process of ontological development. He begins with a detailed description of the tensile strength of the toroidal sphere and how that funnel bi-layer shape is an ideal flexible vessel designed to facilitate the progression from single cell to full-fledged organism. He posits that the specific pattern of development of the species is already encoded at the cellular level and elaborated through physical and chemical dynamic processes. While the genome can specify certain traits of the animal, it cannot account for the process of the developmental sequence of the emerging biological form. In a similar vein, he rejects the principle of random mutation or natural selection precisely because these Darwinian concepts stress the crucial input of the environment in promoting adaptive evolutionary change along a continuum. He describes and illustrates the developmental sequence of flora and fauna from the basic toroidal sphere, stating that every life form grows from the same hypothesized point of origin as the inner layer undergoes continuous embryological transformation that is specific to each animal, flower or insect. The presentation of the biological self-organization theory, unorthodox at best since it minimizes accepted doctrines in biology, is highly disorganized. By immediately discussing and defining the mechanical properties of the torus and more specifically the toroidal sphere, Pivar is launching the reader into highly unfamiliar–and often disorienting–territory, a situation worsened by liberal use of terminology that is discipline-dependent. It is only in the concluding chapters that the relation of the torus principle to ontological and philological development is clarified.

An intriguing work of new ideas on the cutting edge of biology, though not for the uninitiated.

Pub Date: N/A

ISBN: 0-9749860-0-3

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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