Turton's debut is a brainy, action-filled sendup of the classic mystery, though readers may be hard-pressed to keep up with...
In this dizzying literary puzzle, the hapless protagonist is doomed to relive the same day over and over unless he can solve a murder at a masquerade ball.
The narrator, Aiden Bishop, wakes up in a forest outside Blackheath House, “a sprawling Georgian manor house,” not knowing who or where he is—or why he's screaming the name Anna. A man in a beaked plague-doctor mask brings him up to speed: For eight days, Aiden will wake up in the body of a different witness to the shooting of young beauty Evelyn Hardcastle. If at the end of that extended week, during which Aiden will remember all that occurs, he fails to identify the killer and break the bizarre murder cycle, he will have his memory wiped and be forced to start from the beginning. "It's like I've been asked to dig a hole with a shovel made of sparrows," Aiden moans. To be real or not to be real, that is the question for Aiden, who struggles after his own identity while being "hosted" by individuals who include the lord of the manor, a doctor, and a butler. Borrowing liberally from such cultural milestones as Groundhog Day, Quantum Leap, and Eyes Wide Shut—and, of course, the stories of Agatha Christie—the book has a built-in audience. It's a fiendishly clever and amusing novel with explosive surprises, though in the absence of genuine feeling, it tends to keep its audience at arm's length.
Turton's debut is a brainy, action-filled sendup of the classic mystery, though readers may be hard-pressed to keep up with all its keenly calibrated twists and turns for more than 400 pages.Pub Date: Sept. 18, 2018
ISBN: 978-1-4926-5796-5
Page Count: 432
Publisher: Sourcebooks Landmark
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
BOOK REVIEW
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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